Art

Bilbao: Art is Everywhere, Not Just at the Guggenheim

I’ve met more than a few people traveling in Spain who take a day trip to Bilbao to visit the Guggenheim Museum and then they leave. The museum IS incredible both for its collections and Frank Geary’s astounding architecture, but there is so much more to experience in the Basque region’s largest and most important city.

*There is art everywhere in Bilbao! To enjoy it all you’ll need more than a day in this vibrant Basque city.*

After a quiet stay on the beautiful Costa Verde, we felt the energy of this revitalized city on arrival. We dropped our car with the valet at the centrally located Hotel Ercilla Bilbao and took a walk around to get our bearings. We couldn’t help but notice the public art, pedestrian only streets, and parks everywhere we went.

The Guggenheim Museum Bilbao

*Architect Frank Geary’s spectacular design has come to represent the city of Bilbao since the Guggenheim opened in 1997.*

We planned a four-day stay in this vibrant city and since it was at the very top of our list, had gotten tickets for the Guggenheim for our first full day in Bilbao. Tickets are timed and the museum is the number one attraction in the city. Buy your tickets online as soon as you have your dates and get them for as early in the day as you can. There is much to see so book lunch at one of the two restaurants in the museum and you can stay all day. Bistro Guggenheim Bilbao is the more casual of the two, while the Michelin one-star Nerua offers a fine dining option.

*Jeff Koon’s* Puppy *serves as the official greeter at the Guggenheim Bilbao.*

We could see the top of the iconic building as we headed towards the Guggenheim, enjoying Bilbao’s bustling streets as we walked the short distance from our hotel. We spotted Puppy by Jeff Koons, waiting out front. People were vying for a turn to take selfies and group pictures in front of the enormous floral sculpture. The building is spectacular—even more so in person—and there are monumental masterworks to experience even before you enter the museum. Louise Bourgeois’ giant spider called Maman, Daniel Buren’s Arcos Rojos and Anish Kapoor’s Tall Tree are all outside the museum, along with the fog “sculpture” by Fujiko Nakaya that creeps out from under the building every hour.

The first enormous gallery you’ll encounter inside is dedicated to Richard Serra’s site-specific work The Matter of Time. His massive steel structures spiral, snake, and defy gravity. Walking through the huge sculptures can be vertiginous, claustrophobic, even isolating, though you are hardly alone here. Feel the texture of the steel, which changes, as does the temperature. Make some noise! People were whistling and yelling to create echoes inside the sculptures. It was a sensory experience on all levels.

*Richard Serra’s monumental The Matter of Time is a multi-sensory experience.* *Here’s the view from above.*

There’s a viewing deck above the gallery where you can take in the entire exhibition at once, something you can’t really do on the ground level. It’s fascinating to watch people going into the work, standing in the center of some of the larger pieces, moving in a single file through the narrow spaces in others, and just wandering around and enjoying it all! I could’ve spent the day just in that gallery.

*The Matter of Time appeals to all ages!*

Steps from the sculpture is a smaller gallery that has models of each piece, information about Serra’s work and process, and details about the steel’s origins. We learned that only gravity is keeping these gigantic sheets of steel upright and in place! There are photos and information about other works Serra has created–many, like this one, site-specific. I was particularly taken with the history of a piece designed for the City of New York which the artist took back, after the city wanted to move the work.

After you’ve spent some time with Richard Serra’s installation, head upstairs to the special exhibitions and the museum’s excellent permanent collection. Highlights during our visit included an extensive Miro exhibition and Yayoi Kusama’s Infinity Mirrored Room— there was a line to enter this small room, but it was worth the wait to step inside the enchanting world she created!

Read about current exhibitions here.

The museum focuses on art from 1945 on—all modern and contemporary pieces, primarily by American artists. Works by many of the artists you’d expect, including Andy Warhol, Jeff Koons, Ellsworth Kelly, Sol Lewitt, Rothko, Oldenburg, Jackson Pollock, Jean-Michel Basquiat, Willem de Kooning, and their contemporaries are all here, along with works by other less familiar artists.

Our day at the Guggenheim Bilbao was definitely a highlight of our travels through the North of Spain.

Mercado de la Ribera

*Take time to explore the oldest covered market in the world– and have a little lunch.*

There are other iconic structures in this Basque city, some with significantly more history than the Guggenheim. Built in 1929, the Mercado de la Ribera (Erriberako Merkatura in Basque)is the largest covered market in the world and features beautiful stained-glass windows and original iron works throughout. In the heart of the old city, it is the perfect place for a quick, casual meal, snack or drink.

The ground level is a massive food hall offering just about everything—vermouth bars, coffee bars, beer bars, tapas bars, and sweets shops! We went on a busy Saturday afternoon and it was really crowded, but the lines went fast. Look around to see what appeals, order, and then grab a seat at a communal table. This is food hall dining at its best.

Upstairs you’ll find purveyors of fresh fish, produce, meats, cheeses, spices—all the things that made me wish I had a kitchen in Bilbao. There’s also a cooking school. If you’d like to take classes, reserve online here.

It was a sunny Saturday afternoon when we set out to explore to the market and old town and it felt like everybody in Bilbao was outside enjoying the fine day. We stopped at the lively and bustling Plaza Mayor, full of cafes and shops, as you’d expect, along with kids playing soccer (and subsequently soccer balls breaking glasses), people at tables and sitting on the ground having tapas and wine, and everyone generally having a lovely time! We saw a bridal group in tutus with the maid of honor hoisting a megaphone making regular announcements—all fun to experience! Plaza Mayor is the perfect place to stop and have a drink or a coffee—and people watch.

Bilbao’s Cathedral and Church of San Anton

While we were in the old town, we visited the beautiful Cathedral, as we do in every European city. Bilbao’s cathedral, Gothic in style, is dedicated to Saint James or Santiago, the city’s patron saint.

There’s also the much smaller Church of Saint Anton, the oldest building in Bilbao, right next to the market. Purchase a combo ticket at the Cathedral so you can visit both splendid sanctuaries. The entrance fee includes an audio guide available in seven languages, including English.

We took a 20-minute walk through an interesting and diverse neighborhood to reach the market/old town area and walked back another route, through an upscale shopping area. These very different experiences showed us two opposing sides to this Basque city.

*An American President and a musican on a busy shopping street.*

Beaux Art Museum

*Rainy days and museums were made for each other!*

Where better to spend a rainy day than a museum—or two? The Fine Arts Museum (also called Beaux Arts Museum) is the second most visited museum in Bilbao. They have an impressive collection of contemporary art, special exhibitions, and European art from the 16^th, 17th and 18th centuries.

You’ll find many well-known Spanish artists like Goya, Picasso, and Velazquez, plus others you may not have heard of, with Basque artists known for their mostly modern and contemporary works in this category. We bought tickets onsite, though if you are visiting during busy summer or holiday times, it is best to get tickets for everything online in advance.

ITSAMuseum

Also known as the Maritime Museum, ITSAMuseum surprised us by the scope of its offerings. Naturally, the focus of the museum is the sea, which has created a livelihood for so many in the area. In addition to all the seafaring/maritime themed exhibitions, artworks and even a surfing exhibit, we saw a terrific video and exhibit on Bilbao’s history and the enormous impact that the Guggenheim Museum has made on the growth and revitalization of the city. The video also focused on the role Basque culture has played in the city’s history and development, the importance of shipping and trade, and what the future may look like for the area. You’ll see what a sad, industrial wasteland Bilbao was not so long ago, and what it took to become the beautiful, vital city that it is now.

There’s a bar next door if you’d like a drink and a snack. While we were visiting, they were celebrating Earth Day there. There was a band and lots of people, including families with kids, singing along to Basque songs, drinking beer (not the kids), and having a good time.

Azkuna Zentroa– Cultural Center

*Surprising art and architecture await just inside Bilbao’s Cultural Center.*

The Cultural Center –Azkuna Zentroa is worth a visit. The façade is all that remains of the original building but the Philippe Starke- designed interior is the real draw. There are three separate structures under one roof and within the walls. Eight hundred different columns were created for the building and from those, the architect chose 47 to become a part of the edifice. Each one is unique and designed from different materials.

*Free public art is on exhibit on the ground floor.*

There is art displayed in various spaces on the ground floor between the columns. Several pieces were by an artist whose work we had seen at the Fine Arts Museum. The Bilbao public library is also in the building and has free art exhibitions in addition to being a lending library. We saw a comic-themed show. There are also some small shops selling arts and artisanal goods produced by local artists and an information center on the ground floor. The building and the library are free to visit.

On the top floor, there’s a gym and a public swimming pool available to everyone. Look up and you’ll see the swimmers overhead—the pool bottom is transparent!

Practicalities: Where to Stay and Delicious Places to Eat

Like every large city there are lodging options at all price points in Bilbao. We stayed at the Autograph Collection Ercilla Bilbao, which is in a great location right in the center of the city on a pedestrian shopping street. It is walking distance to all the major sites and there are plenty of restaurants and shops nearby. Our room was spacious (Vintage King) and overlooked a courtyard, so it was very quiet. Disclosure—I have status with Marriott/Bonvoy that gives me perks like room upgrades and free breakfast, so I often choose a hotel from the brand.

*Be sure to book a table at Ercilla’s rooftop bar, even if you’re a guest.*

The Ercilla has a great rooftop bar with fabulous views over the city—perfect for an aperitivo or an after-dinner drink! They also have light fare available. You don’t have to be a guest to visit the bar but you should make a reservation.

Restaurants We Loved

We ate extremely well in Bilbao—everywhere in the Northern Spain, in fact. As in any Spanish city, it is important to book a table unless you’re having stand up tapas. Here’s where we went in Bilbao—all different and all excellent!

We had a wonderful, casual dinner our first night in Bilbao at La Vina del Ensanche. They offered a prefix menu for €45 per person along with the regular menu. We had an enormous plate of beautiful Iberian ham, fresh fish, vegetable croquettes, and two desserts. The wine was not expensive and selections were almost all Spanish with plenty of local choices. Service was attentive and very helpful describing different dishes and assisting with wine selection. They also had a little shop with specialty food and wine you could buy to take away. This would be a great place for provisions if you had a kitchen!

We also had an excellent dinner at Viejo Zorti, a popular upscale restaurant with a long history. We had shrimp with garlic to start, followed by a whole turbo which they presented at the table with Pil Pil sauce—you’ll see that sauce everywhere! It was a delicious meal but pricey, which we expected because the fish was “price by the kilo” but so fresh and worth every euro. The wine list was extensive and again, service was attentive and extremely helpful.

Bistro Salitre is a lively, buzzy place catering to a younger, hipper crowd than Viejo Zorti. They had both traditional Basque dishes and updated versions of classics. It was fun on a Saturday night and they had music, too!

It can be hard to find a restaurant that’s open on Sunday night, so we were happy to have Serantes II reserved. This one also specializes in fish dishes and was recommended by the hotel. It was quiet and elegant and a nice respite after a day of touring.

We’ll Be Back

Bilbao was a city of surprises and there was more I wanted to see and do there than we could accomplish, even in four days. I’m excited to return to this beautiful Basque city of outstanding art, notable culture, rich history and exemplary cuisine!

Explore Rome’s Ancient Wonders and Avoid the Crowds

Rome is the destination of choice for tens of millions of visitors annually and it seems like everyone is heading to the Eternal City this year. Where do all those tourists go? Only the Vatican gets more visitors than the Colosseum and both boast more than 4 million each year. Rome has more monuments than any other city in the world, so why fight the crowds when there are so many other archeological marvels to see in Bella Roma?

The Vatican Museums are astounding and should be on everyone’s itinerary but even with timed entry tickets, be prepared for enormous crowds.

The savvy traveler to Rome will purchase an Archeological Museum Pass. The last time we checked, 25 Euro will buy you an expedited entrance to several of Rome’s most important archeological sites and museums. The Colosseum, Forum, Palatine Hill, Baths of Diocletian, Crypta Balbi, Palazzo Massimo, Palazzo Altemps, and Baths of Caracalla are all included. The pass is available for purchase at any of these sites and is good for seven consecutive days. The Roma Pass also includes these sites plus additional museums and public transportation. It is available for 32 Euro for a two- day pass or 52 Euro for a three- day pass.

The Baths of Diocletian

The Baths of Diocletian are just across the busy Piazza Repubblica near Rome’s main train station Stazione Termini.

We have visited the Baths of Diocletian many times and have never had to wait on line to enter. On our first visit a few years ago, an expansive Henry Moore exhibition was on display throughout the baths. Seeing Moore’s sculpture, large and small, in this remarkable setting was an incredible experience.

The largest and best preserved thermal baths the Romans constructed, the Baths of Diocletian provide a respite from the crowds, outstanding architecture, art and history.

We were fortunate to see a marvelous Henry Moore exhibition staged at the Baths of Diocletian on one of our first visits here.

Even without a special exhibit on, this museum should be on your list. Built in the 4^th century, these are the largest of all the thermal baths built by the Romans. They are also among the best preserved and easy to reach since they are across the Piazza della Repubblica from Rome’s train station—Roma Termini.

Remarkably preserved Roman mosaics line the floors and some walls within the Baths of Diocletian.

A memorable experience awaits visitors to this archeological and architectural wonder.

Water was stored in these great halls where sculpture now stands.

If you happen to visit the in the evening, you’ll have the opportunity to walk inside the enormous baths bathed in blue light—a simulation of sorts of what the ancient Roman experience may have been. Day or evening, don’t miss this astounding repository of Rome’s magnificent history.

The large marble-clad pool, called the natatio, was about 4,000 square meters and one meter deep. Visitors are free to wander throughout the pool areas and great halls.

In 1561, Michelangelo was given the job of converting the Bath’s frigidarium into a church. He created the beautiful Basilica Santa Maria degli Angeli on the site, along with the cloister he designed. He likely did not live long enough to oversee its construction though it is referred to as Michelangelo’s Cloister. More than 400 works of art, including sculpture, reliefs, altars and more are displayed in the cloister and gardens.

The cloister of Santa Maria degli Angeli e dei Martiri, referred to as Michelangelo’s Cloister, contains hundreds of statues, sculpture, altars and sarcophagi.

This is one of several colossal animal heads that were found near Trajan’s Column in 1586 and brought to the cloister.

Inside the National Roman Museum, which has been housed at the Baths of Diocletian since 1889, visitors will find three floors of extraordinary exhibitions and works of art ranging from important documents related to Roman life, culture and commerce through the centuries, to classic sculpture, funerary objects, mosaics and much more.

Art and artifacts from the 5th century BC to the 4th century AD are displayed in the area known as the Epigraphic Museum, part of the National Roman Museum.

Fascinating documents and antiquities relating to Roman life, culture and commerce through the centuries bring the Roman experience to life.

We have visited the Baths of Diocletian numerous times and always spend many more hours than we planned– wandering through the Baths, the garden and cloister, and of course, the marvelous museum and beautiful Michelangelo-designed church, all located on this easy- to- reach site. There is so much to see here. Don’t miss it!

Palazzo Massimo alle Terme

Built at the behest of Jesuit priest Massimiliano Massimo, whose family had owned the land prior to the construction of Rome’s Termini Station, Palazzo Massimo was constructed between 1883 and 1887.

Also near the Baths of Diocletian you’ll find the stunning Palazzo Massimo alle Terme. This is another of Rome’s great treasures not found on many traveller’s itineraries. The Palazzo Massimo gives visitors a rare look into what life was like for upper class Romans during the empire’s heyday.

Detail of one of the many beautifully preserved mosaics on display at Palazzo Massimo alle Terme.

Here you’ll discover beautifully preserved mosaics, frescoes, stuccoes and entire rooms rebuilt inside the museum from Imperial Roman villas. The beautiful painted garden from Livia’s Villa (constructed 75-50 BC) now displayed here, offers a serene escape in the heart of the busy city.

These carefully restored painted walls once adorned the villa belonging to Livia, wife of Augustus.

This reconstructed room from Villa Farnesina gives a glimpse into upper class Roman life in the 1st century BC.

These bronze arms were fittings from one of two ceremonial vessels owned by Caligula and recovered from Lake Nemi between World Wars I and II. The ships were destroyed during WWII.

Portraits from the Republican to the Imperial era, Greek and Roman sculpture (including the famous Hermaphroditus Asleep from the 2^nd Century), jewelry, furnishings, and even a mummy of an eight-year old are included in the museum’s collections.

The Boxer (also called The Pugilist) seems to gaze plaintively at visitors through his lost eyes. This magnificent sculpture may date from the 4th century BC and was found on Quirinal Hill.

The Lancellotti Discobolos, in the foreground, is another important sculpture from the Antonine period on view at Palazzo Massimo.

Palazzo Altemps

This peaceful courtyard gives visitors to Palazza Altemps quiet respite from the busy Piazza Navona just outside.

Just off the busy Piazza Navona is Palazzo Altemps. This gorgeous 15^th century palace was once home to Cardinal Altemps and has been a part of the Roman National Museum since 1997.

Classical sculpture and elaborately decorated ceilings line the loggia.

The Palazzo includes works ranging from Egyptian antiquities, Greek and Roman sculpture, original frescoes, and the spectacular Ludovisi Collection.

The Ludovisi Fury is thought to be a copy of a Greek work, likely from the 2nd century. The left side of the face was cut horizontally to provide stability and is sometimes called the Sleeping Fury.

Ancient sculpture and reliefs from important collections, notable Egyptian artifacts, frescoes from 70-100 AD, and other antiquities are all housed in the museum’s galleries.

The 104 sculptures that comprise the collection, begun by Cardinal Ludovico Ludovisi in the early 1620s and purchased by the Italian government in 1901, is widely regarded as the centerpiece of the Palazzo Altemps. Be sure to see the famous Ludovisi Throne.

Detail of one of the colossal sculptures displayed at the Palazzo.

The museum also houses several other important collections including the Mattei and “Dragon Collection” which has nothing to do with mythical beasts but is instead the works owned by the del Drago family. Visitors will also find the Pallavicini Rospigliosi Frescoes, which date from 70-100 AD, and notable art and significant artifacts in the Altemps’ Egyptian and Antiquarian collections.

The beautiful Church of San Aniceto is located within the Palazzo Altemps– a serene spot for contemplation and prayer.

Step inside the Church of San Aniceto, which is located within the palazzo and was built in 1617 to house the saint’s remains, for a meditative moment or two and leave the noise and crowds behind.

Crypta Balbi

Crypta Balbi’s excavations show how Rome developed from antiquity through the 20th century, building layer upon layer from its ancient beginnings.

You will not be fighting crowds at Crypta Balbi, also part of the National Roman Museum. It is a wonderful archeological site and should be on your list of remarkable places to see. A subterranean tour through excavations of ancient buildings, combined with fascinating exhibitions, takes visitors on a historical journey from Rome’s earliest beginnings through the 20th century.

The excavations, which give visitors a fascinating look at the city’s earliest development, began in 1981.

Frescoes, such as these from Santa Maria in Via Lata can be found upstairs in the “Rome from Antiquity to Middle Ages” section of the museum.

Ceramics, glass fragments, coins, tools and other items from Roman daily life centuries ago are on display.

Be aware that there are not always English speaking guides available to accompany you through the excavations below the museum but the exhibitions upstairs have information in English. Even without a guide, it is worth exploring the lower level. The museum is at Via delle Botteghe Oscure 31, just around the corner from the Largo di Torre Argentina where you’ll find interesting ruins, a sunken excavation site and a cat sanctuary and adoption point.

The Largo di Torre Argentina is home to ancient Roman ruins and a cat sanctuary.

The Pantheon

The Pantheon is one of Rome’s most important and most visited ancient wonders.

The Pantheon is one of ancient Rome’s most glorious structures and has been in continual use since it was built by Marcus Agrippa in 31 BC and rebuilt by the Emperor Hadrian 125-118 AD. Illuminated by the oculus in its magnificent dome, the Pantheon boasts the largest masonry vault ever constructed. As of July 3, 2023 a 5 Euro fee is required to enter. Tickets are available online and onsite and nearly 3,800 were sold the first day.

Originally built in 31 BC by Marcus Agrippa, this is the largest masonry vault ever constructed and it is spectacular.

We have been here when the sun is streaming in through the oculus as well as when the rain is pouring down—a visit here is a memorable experience at any time.

Sculpture, paintings and sacred art adorn the interior of the Pantheon.

The esteemed Italian painter Raphael and Italy’s first king, Vittorio Emanuel II, are both buried here. Go early in the morning to beat the crowds.

Arrive here any time after early morning and be prepared for large crowds and the occasional, “Silencio,” shouted by guards.

After you’ve finished marveling at the immense beauty inside the Pantheon, take a walk around the exterior. You can see excavations of the shops and dwellings that surrounded the building during the era of Imperial Rome.

Shops and homes were once built into the Pantheon’s exterior walls. Visitors can see the remains today.

Close to this magnificent building you’ll find the classic Armando Al Pantheon. Open for lunch and dinner, except on Saturday nights and Sundays, this place serves traditional Roman cuisine. Reservations are essential as it’s popular with locals and tourists.

The Colosseum

If you’ve never visited Rome before, you’ll need to brave the crowds and see the Colosseum.

I’m not suggesting you skip the Colosseum. In fact, if you’re planning to head over that way, be sure to include the Forum and Palatine Hill in your plans. Just be prepared. Lines are less long early in the morning, but there are always lines. If you have an Archeological Pass or Roma Pass you get to go on a much shorter line than those without—just look for the signs. The Colosseum, which took just under 10 years to build, was completed in 80 AD and is the largest amphitheater ever constructed.

Pack your patience and your most comfortable walking shoes. Crowds are huge and steps are steep and unforgiving at the Colosseum–one of Rome’s most visited sites.

There are rules, though apparently not always observed.

You’ll be hiking up and down some very steep stone steps and rocky, uneven walk ways in both the Colosseum and the Forum. There is no shade so wear a hat or take an umbrella to keep the sun off and bring a bottle of water if it’s a hot day. There are no services or shops. Some areas are handicapped accessible but inquire before setting off.

The Forum

The Forum tempts the imagination with incredible Imperial Roman ruins.

The Roman Forum was the heart of the ancient city and the ruins are spectacular. Some of the highlights include the Arch of Titus (through which most visitors enter), the Temple of Saturn, and the Temple of Vesta. The Sacra Via, or sacred road, runs through the ancient site.

Uneven walkways and cobbled paths at the Forum call for comfortable shoes. Bring a hat and water– there’s no shade and no conveniences inside the gates.

Be aware that unlike the Colosseum, there are no facilities once you are in the Forum—no bathrooms, snack shops, water fountains or souvenir vendors inside the gates. Beware of pickpockets and “for hire” guides at both the Colosseum and the Forum. The latter often dupe visitors into thinking they must buy a guided tour to get inside, which is not true.

Visitors take a walk through ancient history on original Roman roads. Most significant sites are signed in English and Italian but a guidebook will be handy here.

All that walking gave us an appetite. We had a good lunch across from the Colosseum at Angelino ai Fori dal 1947 at Largo Ricci #40, 06.6791121. We expected high prices and mediocre food since it’s so close to several major tourist sites but were pleasantly surprised by both the food and the prices.

We enjoyed a delicious lunch on the patio at Angelino ai Fori.

If you are prepared for a short journey, take a trip to Ostia Antica. Ancient Ostia was once a bustling seaside town built on the Tiber River where it enters the Mediterranean Sea, but now, 2,000 years later, it is four kilometers from the water. We found the ancient site even more interesting than the Forum and far less crowded. We enjoyed a picnic here one fine afternoon and learned, once we had secured a knowledgeable guide of the area, that we’d had our lunch seated on a burial site. There are spectacular ruins of baths, a theater, apartment houses (some with painting still intact), mosaics, and much more to see in the excavations of this once fortified city.

These are just a few of the astounding archeological treasures found nowhere else but Rome. Put on your walking shoes and go explore this ancient and vibrant city.

PS If you’re looking for restaurant recommendations near the historic center or want to know where to go for gelato, reach out!

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California’s High Desert Hidden Gems: Noah Purifoy’s Outdoor Desert Museum

I first learned about Noah Purifoy’s wondrous Outdoor Desert Museum while planning a trip to Joshua Tree National Park during the COVID pandemic. Museums, and most cultural outlets, were closed in Southern California where I live, and pretty much everywhere else, too. When I learned about an outdoor museum close to the town of Joshua Tree, I knew we had to go!

*Welcome to Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture.*

After spending most of the day hiking in the strange but beautiful Joshua Tree National Park, we headed out for a look at another high desert gem—Noah Purifoy’s Outdoor Desert Museum of Assemblage Art. We drove through the small town of Joshua Tree, into the scrubby desert landscape, past large lots and small houses–more than a few surrounded by chain link fences. In this part of Southern California, pick-up trucks are far more popular than Porsches.

*The high desert landscape is the perfect setting for Mr. Purifoy’s assemblage art. Shipwrecked is in the foreground with White House to the left.*

Up and down the lonely roads we drove until our turn- off onto an unpaved road that ended in a dirt lot. A triumphal arch of tires spelling out W-E-L-C-O-M-E in a non- conformist way, let us know we had arrived.

*Please don’t jump on the Band Wagon, 1995. Tempting as it is, visitors are asked to refrain from touching or climbing on the sculptures.*

*Bowling balls play a starring role in a number of Mr. Purifoy’s sculptures.*

*Found materials of all kinds make up the monumental sculpture in the Outdoor Desert Museum, as in this work called Aurora Borealis.*

I have been fascinated by assemblage art for a long time. Created from found materials, assemblage art personifies the old saying, “One man’s trash is another’s treasure,” and shows how a creative mind can make something provocative, beautiful, and meaningful from goods that might otherwise have been tossed on the trash heap. Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture is the embodiment of that.

*1996 Toilet Bowl Sculpture is just one of the 30 inventive and monumental assemblage sculptures on the 10-acre art site.*

Too often, we find ourselves exploring these out-of-the-way places alone. We were happy to see others here experiencing these amazing art installations.

*Purifoy’s work can be poignant and provocative. This piece is called White/Colored.*

*Homelessness and shelter are among the social themes Purifoy explores in his work.*

A renowned assemblage artist, Noah Purifoy first came to national attention with sculpture he created using burnt debris from the 1965 Watts Riots in Los Angeles. His work was part of 66 Signs of Neon, a landmark group exhibition that traveled across America and abroad from 1966- 1971.

*Prominently positioned, The White House includes plumbing ware and bowling balls. It took Purifoy three years to create.*

*Free brochures lead visitors on a self-guided tour of the 10-acre site. Docent-led visits for groups can be arranged through the Noah Purifoy Foundation.*

Purifoy was the founder and first director of the Watts Tower Art Center and was later appointed to the California Arts Council, a position he held for more than a decade. His work there included bringing art into California’s State Prison system under the Artists in Social Institutions program he initiated.

*This piece, called Kirby Express, was created from old Kirby vacuum cleaners and bicycle parts among other things.*

*Here’s Kirby Express from a different vantage point with Shipwrecked and Carousel to the left.*

*No Contest (Bicycles) is dwarfed by a Joshua Tree, the area’s namesake desert plant.*

Long a fixture on LA’s art scene, Purifoy, who was born in Alabama in 1917, moved to Joshua Tree in California’s high desert in 1989. He began populating his 10-acre sculpture park with works of all shapes and sizes using materials ranging from discarded toilets to tires and just about everything in between. Industrial materials, clothing, wood, metal, rubber, concrete and old appliances all found their way into Purifoy’s art.

*From the Point of View of the Little People, 1994.*

*Abstract, whimsical, inventive and thought provoking, Purifoy’s works are best experienced by a visit to his amazing desert museum.*

*Piles of old chairs became art in Purifoy’s wildly creative hands.*

From 1989 until his death in 2004, Purifoy worked to create a public art space that continues to attract visitors from across the country and around the world. Admission to the sculpture park is free but donations are welcome. The Outdoor Desert Museum is open daily.

*The Gas Station conveys a certain attitude. The White House is to the left.*

*Admission is free but donations are welcome.*

Purifoy’s work can be seen at the Whitney Museum of American Art in New York, Los Angeles County Museum of Art, National Gallery of Art in Washington, DC, as well as other prestigious art institutions here and abroad. These eminent museums have long since reopened their doors, but visitors to Southern California may well want to head to the high desert to experience Purifoy’s final and very impressive body of work. Visit the Noah Purifoy Foundation for more information.

Sunnylands— A Midcentury Masterpiece

As a regular visitor to the Palm Desert area, I often wondered what was behind the big pink walls where Bob Hope and Frank Sinatra Drives intersect in Rancho Mirage. During Modernism Week I found out. Among the more than 350 events and activities offered during the 10-day tribute to Midcentury Modernism were tours of Sunnylands, the marvelous estate built by media mogul and philanthropist Walter Annenberg and his second wife, Lee.

The glass and Mexican lava rock midcentury marvel built by Walter and Lee Annenberg was conceived as a family home and high-level retreat for world leaders and luminaries from the arts, media and industry. Photo courtesy Annenberg Foundation Trust at Sunnylands.

Conceived as both a family home to escape winters in Wynnewood, PA, where the couple maintained their permanent residence, and an intimate, high-level retreat where leaders of government and industry could meet privately to address national and global concerns, Sunnylands has successfully filled both roles since it was completed in 1966.

The centerpiece of the 200-acre estate is a fabulous glass and Mexican lava rock 25,000- square-foot midcentury home designed by architect A. Quincy Jones. It’s hard not to “ooh and aah” when the front door of the historic main house opens onto the spectacular great room with its pink marble floors, prolific planting, outstanding art collection (Rodin’s Eve surrounded by 300 pink bromeliads will be one of the first things you’ll see in the central atrium), exquisite furnishings, and panoramic desert views.

*Art Price’s **Birds of Welcome**, a favorite of the Annenbergs, greets visitors to Sunnylands.*

Visitors on the 90-minute Historic House Tour, which is the only way to visit the home, learn all about the property and the people who designed, built, lived in and stayed at this wonderful estate. You’ll visit all of the rooms in the house including my personal favorite–the Room of Memories. It’s chock full of memorabilia marking momentous occasions, Christmas cards and thank you letters—some from British royalty, photos, portraits, and family mementos.

The Room of Memories has photos, portraits, letters, memorabilia, mementos and more documenting decades of visits to Sunnylands from famous guests and the historic role the house has played in U.S. history. Photo courtesy Annenberg Foundation Trust at Sunnylands.

The color-themed guest rooms (hint-Mrs. Annenberg’s favorite colors were yellow, pink and green), stunning dining room, cozy game room, and the kitchen, where visitors will get a peek at the incredible china collection the Annenbergs used to host dinners large and small, are all on the tour. Visitors also have access to the Annenberg’s private quarters, which were modified somewhat by Mrs. Annenberg after her husband’s death in 2002 at the age of 94.

*Comfortable guest rooms were color-themed and included Mrs. Annenberg’s favorites– yellow, green and pink. Photo courtesy Annenberg Foundation Trust at Sunnylands.*

You’ll also see the Inwood Room, redesigned from its original purpose as a patio, to hold many of the antiques Mrs. Annenberg brought to Sunnylands after closing their Pennsylvania home, Inwood. She wanted a place that reminded her of her home in the East.

The Annenbergs, known for their support of the arts, filled Sunnylands with masterpieces by artists including Picasso, Degas, Van Gogh, Cezanne, Monet, Renoir, Matisse, Rodin, Giacometti and Braque. Some of the paintings now on the walls are high-quality reproductions. Mr. Annenberg donated many of the original works to the Metropolitan Museum of Art in New York, where he was a trustee for many years.

*This Kwakiutl totem pole was commissioned by the Annenbergs and is located on the estate’s private nine-hole golf course.*

The grounds include a tennis court, private nine- hole golf course and no less than 11 lakes. Now operated by the Annenberg Foundation Trust, the estate has expanded to include 15 additional acres for the Sunnylands Center and Gardens, which opened in 2012. That’s the same year the property became accessible to the public.

While Sunnylands served as the winter home of the Annenbergs, it was also designed to function as a private and intimate retreat for luminaries and world leaders. The guest list is as impressive as the property. Eight U.S. Presidents were among the notable visitors the Annenbergs welcomed to Sunnylands. Dwight Eisenhower, an avid golfer, was the first U.S. President to enjoy a round on the estate’s private course with Walter Annenberg.

President and Mrs. Reagan were good friends of the Annenbergs and frequent visitors to Sunnylands. Mr. Reagan was one of eight U.S. Presidents to have enjoyed their hospitality. Photo courtesy Annenberg Foundation Trust at Sunnylands.

Ronald Reagan, a good friend of the Annenbergs, was a frequent guest as President, and earlier, when he served as Governor of California. Along with his wife Nancy, a dear friend of Leonore “Lee” Annenberg, the Reagans were a fixture at the Sunnylands New Year’s Eve party for many years. Mr. Reagan held cabinet meetings and invited his top advisors to the estate. President Reagan’s treat of choice– Jelly Belly® jellybeans are still available in his favorite guest room. No detail that could add to a guest’s pleasure was too small to include at Sunnylands. Fun fact—the jellybeans are color-coordinated to match the bedding and upholstery!

*The Yellow Room was President Reagan’s favorite. Jellybeans were always on hand–color coordinated to match the room, of course. Photo courtesy Annenberg Foundation Trust at Sunnylands.*

Richard Nixon, who was also a long-time friend of the couple and another frequent guest before, during and after his presidency, spent a number of months in seclusion at the estate after his resignation. His poignant thank you note is on display in the house.

George H.W. Bush held the only State dinner ever hosted outside the White House at Sunnylands for Prime Minister Kaifu of Japan in 1990. They were able to negotiate some difficult trade issues in the relaxed setting Sunnylands provided. President Bush also enjoyed fishing at the estate and preferred the Green Room for its proximity to the lake for early morning angling.

*President George H.W. Bush enjoyed early morning fishing in some of the 11 lakes on property at Sunnylands.*

Presidents Gerald Ford, George W. Bush and Bill Clinton all enjoyed the Annenberg’s hospitality at Sunnylands. President Obama was a three-time visitor, meeting with Chinese President Xi Jinping on one occasion and Jordan’s King Abdullah II on another. He also held a summit with 10 Association of Southeast Asian Nations leaders at the estate, which resulted in the “Sunnylands Declaration.”

Appointed by President Reagan, Walter Annenberg served as U.S. Ambassador to the Court of St. James and was awarded an Honorary Knightship (KBE) so it’s no surprise that Queen Elizabeth II and Prince Philip, Prince Charles, and other members of the British Royal Family were visitors to Sunnylands.

Queen Elizabeth II and Prince Philip, shown here with Ambassador and Mrs. Annenberg, were guests at Sunnylands, along with other members of the Royal Family. Photo courtesy Annenberg Foundation Trust at Sunnylands.

U.S. Supreme Court Justices Sandra Day O’Connor and Anthony Kennedy, Secretary of State George Shultz, British Prime Minister Margaret Thatcher, Henry Kissinger, Barbara Walters, Colin Powell, Steve Forbes and other highly influential people from government, industry, media and the arts have all been feted at Sunnylands.

It hasn’t been all problem solving and high- level meetings at the estate though. Frank Sinatra wed his wife Barbara at Sunnylands and the couple were frequent guests at festivities there, including the social event of the year—the Annenberg’s annual New Year’s Eve party. Hollywood icons like Bob Hope, Bing Crosby, Kirk Douglas, Gregory Peck and Ginger Rogers have all been on the guest list. Photos capturing the Annenbergs and their famous friends at play are on display throughout the home.

The historic main house can be visited only by guided tour, which must be booked online, typically one month in advance. Because access is limited, the Historic House Tour slots fill quickly. Plan ahead! This is the only tour that provides access to the home. Groups of seven are shuttled from the Visitor Center to the house for the 90-minute tour, which includes standing and walking—there is no sitting down and children under 10 are not permitted. Knowledgeable guides, many from local colleges, accompany visitors through the home and around the lushly landscaped exterior areas adjacent to the house.

There is a separate tour available for the grounds without prior reservations. The Open Air Experience is a 45-minute trip aboard an electric shuttle around the exquisite estate with visits to various outdoor locations such as the private golf course where visitors can see a Kwakiutl totem pole built especially for the Annenbergs, the Chinese Pavilion where Mrs. Annenberg entertained lunch guests, the Annenbergs’ final resting place, sculpture including Birds of Welcome by Art Price, and much more. The Foundation’s commitment to sustainability and the steps being taken to preserve and protect plant and wildlife species on the grounds are also discussed during the visit. The Open Air Experience can be booked on a first come-first served basis during a visit to the Sunnylands Center and Gardens and unlike the other tours, does not require prior reservations.

Birding tours on the Estate are also available and must be booked online, in advance. An experienced birder leads the 90-minute excursion and all levels are welcome to participate.

There is no admission fee for the Sunnylands Center and Gardens, which opened in 2012 and is family-friendly. Inside the glass-walled building guests can enjoy a short film that tells the history of the estate and the Annenbergs. This is well worth viewing before visiting the house or in lieu of, if you haven’t been fortunate enough to reserve space on a tour. There are art and photo exhibitions, historic photos, and memorabilia on display.

There’s also a gift shop and a small café for a casual lunch or snack, which can be enjoyed indoors or outside at the tables overlooking the garden. On a recent visit, families were playing games and picnicking on the garden’s central grassy grounds.

The expansive gardens include a labyrinth for peaceful mediation, meandering paths, reflection pools and more than 70 species of native plant life. The native and drought-resistant plants used in the landscape are clearly marked for the enjoyment of amateur botanists.

Tours are not conducted while retreats and meetings are taking place on the property. No photos are allowed inside the house due to security concerns. The Annenberg Foundation graciously provided the interior photos I’ve included here. Sunnylands is not open during summer months. Please visit their website for current tour dates and ticket information.

Into the Woods –Bomarzo’s Monster Park

We made our way to Bomarzo’s Monster Park on a beautiful autumn day, early enough that the morning fog still hung over the woods adding a decidedly forbidding atmosphere to the place.

With its strange and beautiful sculptures, eerie wooded pathways and vertigo-inducing tipsy house, I wondered for a moment if Lewis Carroll had taken inspiration from Bomarzo for his Alice’s Adventures in Wonderland.

*The dragon symbolizes time and wisdom, rather than destruction. At Bomarzo, the dragon fights a dog, lion and wolf representing spring, summer and winter.*

While appearing completely contemporary, this unconventional garden near Viterbo, Italy was commissioned by Prince Pier Francesco “Vicino” Orsini in 1552. Known for their balance, order and harmony, classical 16^th century Italian gardens with their careful geometric designs and extravagant water features seemed to celebrate man’s control over nature. Not so, the wild and woodsy Bomarzo.

*Bomarzo’s winding, woodsy paths are full of surprises.*

*The giant jaws of the whale warn visitors away from the water.*

Created by architect Pirro Ligorio in the Mannerist style, this garden is almost a rebellion against order and a tribute to life’s unpredictability. That’s what makes it so much fun to visit.

*Proteus, Neptune’s son, comes from the legend of Glauco, a fisherman who became a sea god.*

Instead of being adjacent to or surrounding the owner’s villa like most gardens of the period, this one flourishes in a nearby wood, nearly hidden from view from the palace above.

*Il Sacro Bosco, the Sacred Wood, is the opposite of the well-ordered classical 16th century Italian garden.*

There is no rhyme or reason to this garden. There doesn’t seem to be a relationship between the sculptures and their placement in the park, though that could have everything to do with the fact that they were all carved from gigantic rocks where the stone stood.

*Statues were carved on-site from stones where they stood.*

Il Sacro Bosco or the Sacred Wood, as the Monster Park is also known, is home to mermaids, sphinx, dragons, nymphs, fountains, a giant tortoise, and a heroic Hercules, among other fantastical sculptures.

*The tortoise symbolizes the feminine powers of water and ancient knowledge.*

Originally the sculptures would have been painted in bright colors. None of that remains today though some pieces are covered in downy green moss. I was slightly disappointed to see the tortoise had recently had her nice coat of soft green moss removed, though she was still a striking figure.

*An elephant carrying a castle was a popular medieval symbol and reference to Hannibal’s use of elephants to invade the Italian peninsula.*

*This elephant, holding a wounded or dead soldier, represents Rome’s victories and defeats.*

Many of the Bomarzo’s sculptures have historical, religious and cultural significance. Some are meant to be puns or puzzles. Others may have had meanings which have long been lost over the nearly 500 years since the garden was created. The brochure we received with our tickets gave explanations for all of the 35 key sculptures, as well as serving as a guide through the park.

*The sleeping nymph, which represents purity in Greek mythology, is both human and divine.*

The Ogre, or L’Orco, king of the underworld, is at the center of the garden and one of the most popular sculptures at Bomarzo. I found a photo of surrealist artist Salvador Dali sitting in the “Mouth of Hell” in 1938! He was so inspired by the Monster Park that he made a short film about the gardens.

*A school group posed in front of the giant sculpture amid much jostling and laughter, clearly enjoying the monsters and whimsical creatures throughout the park.*

The inscription above the entrance says, “Abandon all thought,” a reference, and maybe a tribute, to Dante Alighiere’s Divine Comedy- Inferno, where a warning above the Gates of Hell reads, “Abandon all hope, ye who enter here.” Don’t be put off. Inside the mouth, visitors will find cool respite and a small built- in table and seats. It’s a perfect place for contemplation and perhaps a picnic.

*Just try to walk around inside the Leaning House without losing your balance!*

Another popular stop, the Leaning House doesn’t seem so disorienting until you get inside and try to explore the rooms. There’s not much to see other than the family crest and motto. It is a vertiginous experience at best and not a place to linger—purposefully, scholars think. Some believe that the house represents the falling fortunes of the Orsini family, but nearly 500 years on, the house still stands!

*Proserpina welcomes visitors to the hippodrome area.*

Hiding around every corner or peeking through the trees are heroic and monumental figures. Proserpina, wife of Pluto, stands in for Diana and Juno greeting visitors with open arms. An enormous Hercules—a protector of good, is shown subduing the evil Caucus. Ceres appears with her circle of babies.

*Hercules, protecting the poor, vanquishes Caucus, who stole food from them.*

Neptune towers over the basin, while the open jaws of a whale warn visitors away from the water. Nearby, a giant nymph is both human and divine– a reference to the sleeping Ariadne. There are Furies, a pegasus, dolphins, lions and other mythical and magical creatures throughout the garden.

*The Winged Fury is of Greek origin and also played an important role in Roman religion. The Furies were considered guardians of national glory and the fertility of the soil.*

There are large vases with inscriptions no longer decipherable, benches with messages in Latin, and much more that will surprise and delight around every turn.

*Some of the benches have Latin inscriptions.*

*Scholars think this sculpture represents Bacchus’s descent into hell, goblet in hand. Medusa’s head is carved into the bottom of the giant vase.*

Il Sacro Bosco was created as a memorial to Prince Orsini’s late wife, Guilia Farnese, of the wealthy Farnese family. Their money helped fund the garden, which her broken- hearted husband intended as a manifestation of his grief and a place of shock and surprise.

*Il Sacro Bosco was created as a tribute to Orsini’s late wife, Guilia Farnese.*

A Pegasus in the garden represents Orsini’s in-laws– the Farnese family. The Temple of Eternity was built 20 years after the original garden as a memorial to Guilia and was designed with roses associated with the Orsini family.

*Wander as you like, but if you follow the suggested trail in the park’s brochure you’ll see all of the key sculptures and sights in this fascinating garden.*

Visitors are welcome to wander freely through the paths, but following the trail outlined on the brochure’s itinerary will ensure that you won’t miss a single one of the extraordinary sculptures and sights waiting in the Sacred Wood at Bomarzo. While the traditional gardens of the period we visited– including Villa Farnese, Villa Lante and Villa D’Este–are stunning, Bomarzo is absolutely fascinating. We’ve never experienced anyplace like it!

Lisbon’s Beautiful Belem

The Belem district is a fascinating and historic area of Lisbon that ought to be on every traveler’s itinerary—and it appeared that it was on the Sunday we spent there! Packed with monuments, museums and many of Lisbon’s “must see” spots, it’s just about five miles from the downtown area. It’s easy to reach via bus, tram or cab. We took a 10 Euro taxi ride for the 20-minute trip from Lisbon’s city center. The tram costs less but takes nearly an hour and with so much to see, we opted to save time.

There’s plenty to see and do in Lisbon’s busy Belem area.

Belem was the launching point for many sea voyages during Portugal’s Age of Discovery. The Tower of Belem was the last thing sailors would see as they left port and the first site to welcome them home.

The Church of St. Jeronimos and its monastery are beautiful examples of the decorative Manueline architectural style.

Before setting off, many sailors would stop at the stunning Church of St. Jeronimos and its spectacular monastery to pray for a successful journey and a safe return. These gorgeous buildings are wonderful examples of the decorative Manueline architecture popular in Portugal in the late 1400s through 1500s.

St. Jeronimos and it’s spectacular monastery are among Lisbon’s most popular sites.

The entry fee for the monastery is 10 Euro and worth it. It’s stunning and surprisingly peaceful in spite of the crowds. Admission is free for the church. If you plan to attend mass, be punctual. We arrived late and no amount of pleading would make the guards open the church doors for us until services were over.

Visitors to the church can see the tomb of famed Portuguese explorer Vasco da Gama and the memorial to writer Luis de Camoes.

Entry to the Church of St. Jeronimos is free but there is a fee for the monastery.

We were directed to the end of a very, very long line. After standing around for quite some time, we realized there were no lines at the other end of the building and decided to go check it out. That’s when we found the National Archeology Museum.

Avoid the long lines at St. Jeronimos by buying a combo ticket for the Archeology Museum next door for an extra two Euro.

Here’s a tip we wished we’d known–walk right past those long lines in front of the monastery and church and make your first stop in Belem the National Archeology Museum.

The museum is full of ancient treasures and antiquities, some dating back to the Iron Age.

Buy a combo ticket for the museum and the monastery (the monastery is actually in the same building as the museum). For an extra two Euro, or 12 Euro total, you can enjoy the museum’s terrific exhibitions and avoid the crowds. The museum is a treasure trove of Egyptian, Roman, Greek, and Moorish artifacts. After touring the galleries, you’ll go directly into the monastery from the museum without waiting on the ever-present line.

This was the first megalith we saw and it inspired us to seek out the Almendres Cromeleque, home to 95 of these fascinating stones near Evora in the Alentejo area.

The museum has a rich collection of Egyptian, Greek, Roman and Moorish art and antiquities. Be sure to visit the Room of Treasures in the museum. No photography is allowed in that area but the display of coins and jewelry from 1800 to 500 BC is impressive.

After touring the galleries in the National Archeology Museum, you’ll enter the Monastery directly without waiting on any additional lines.

This fascinating time line inside the monastery captures 500 years of world history in words and images.

In spite of the crowds, there are numerous serene spaces within the monastery perfect for quiet contemplation.

You may notice long lines around the bakery just up the street from the monastery. If you’ve been to Portland, Oregon, this may remind you of the lines around Voodoo Doughnuts. I’m always amazed by the patience people seem to have in their quest for particular baked goods, but back to Belem…

Lines for Casa Pasteis de Belem snake around the corner. Worth the wait? You decide.

This is the place that claims to have the original and the best Pasteis de Belem. These are little custard pastries in a flaky filo- like crust. Locals say these are good, but you’ll have to decide if they’re worth waiting for. We didn’t, but we haven’t ever waited for doughnuts either. They sell Pasteis de Belem in the Starbuck’s next door without the wait, though buying them there doesn’t quite have the same cachet. You can find these delicious pastries all over the country though they’re called Pasteis de Nata (nata is cream) or Pastel de Nata, if you’re only having one, everywhere else except Belem. Try one or two and remember to add a healthy shake of cinnamon and powdered sugar on top!

Time for lunch or dinner? Turn down this little street to find Enoteca de Belem.

If you’re hungry for a meal, we highly recommend the Enoteca de Belem (+351) 213 631 511 Travessa do Marta Pinto, 12. Located on a little alley off the main street in Belem, this is a terrific choice for lunch or dinner. It’s very small so book a table or prepare to be disappointed.

We were delighted with our lunch at Enoteca de Belem. Here’s a peak at the menu.

Sitting at the bar gave us a chance to learn about and taste delicious Portuguese wines.

We sat at the bar since we had missed our reservation time—the museum and monastery were so fascinating we spent far longer than we had anticipated. The bar turned out to be perfect for us because in addition to a fabulous lunch, we had a great chat and learned quite a bit about Portuguese wines and history.

The perfectly prepared scallops with cauliflower puree and quail eggs were as delicious as they looked.

The freshly caught grouper was the fish of the day. Served with “clam rice,” it was an incredibly flavorful dish.

Portuguese cuisine often pairs fish and pork. The tender grilled octopus and spicy chorizo was perfection on a plate.

This classic dessert, Papo de Anjo, reminded us of an upgraded rice pudding. Comfort food at its best!

Our lunch was incredible and one of the best meals we had in Lisbon. Try the scallops to start and the grouper or cod if they have it.

When we asked for the wine list, we were handed these vintage binoculars and instructed to look around and choose whatever we were interested in from the shelves above the bar. There was a printed list, as well, but selections change regularly– thus the binoculars.

We opted for wines by the glass so we could sample several. The staff were well- versed in the wide selection available and happy to make suggestions and answer questions.

The knowledgeable staff will be glad to help you match the appropriate wines to your food selections.

Sailboats and other pleasure craft ply the waters off the embarcadero. The Hippotrip looked like Lisbon’s version of the Boston Duck Tours. Could be fun, but we didn’t try it.

Next, take a walk along the water down to the Monument to the Discoveries, which honors Prince Henry the Navigator, and was built in 1960 to commemorate the 500^th anniversary of his death. Henry’s mother, Queen Filipa of Lancaster, Vasco da Gama, Magellan, King Manuel I and the poet Camoes are all depicted on the monument.

The busy waterfront is the perfect place to stroll and people watch. It’s possible to go inside the Monument to the Discoveries, which commemorates the 500th anniversary of the death of Henry the Navigator.

The Tower of Belem was the last bit of home Portuguese sailors saw as they set off to sea. It offers beautiful views but be prepared for long lines if you’d like to climb the 120 steps to the top.

Further on, you’ll see the famous Tower of Belem. It’s possible to climb 120 steps to the top of the tower for the views. Lines can be quite long. Let’s face it—there are lines for nearly everything you’ll want to see in this area so just be prepared for that. There’s an Atlas Hotel along the way with a nice terrace, perfect for an apperitivo if you’re ready for a break from touring– and the lines.

There is a lovely park near the waterfront and we happened to catch a good- sized open air market there on our visit.

On our walk back, we came upon an open air market selling everything from hand crafted ceramics, art and jewelry, to tea towels and mass-produced souvenirs. There was also a lively folk dance competition taking place in the park and we simply had to stop and watch for a while. It was delightful!

Troupe after troupe of talented folk dancers took the stage in the park. We joined the crowd to cheer them on.

Near the stage where the dancers competed, we spotted this pavilion. It was a 2012 gift from the Royal Thai Government to Portugal, celebrating 500 years of bilateral relations between the two nations.

We wished we had more time in Belem. We would like to have seen the Maritime Museum, Coaches Museum and the Ajuda Palace. Next time for sure!

Porto—Sinners, Saints, Art, and of course, Plenty of Port

Portugal’s second largest city, Porto, or Oporto as the British called it, has a vibrant cultural scene, beautiful churches and a fascinating history, but for many, it’s all about the port.

Port!

Port and port tastings draw visitors from all over the world —after all, the city is named for the fortified wine. All the big port houses are here, along with smaller cellars worth investigating. Just across the river in Vila Nova de Gaia, you’ll find Sandeman, Taylor Fladgate, Grahams, Ferreira, Calem, Croft, Cruz, Ramos Pintos, Kopke, Cockburn and many others. Individual port houses vary in their offerings– there are guided tours, self-guided visits, port tastings, retail shops and several have restaurants on site.

Since there is so much to do in Porto and we had already spent time in the Douro Valley where the grapes for port are grown and the production of the fortified wine occurs, we decided to visit just one port house. We chose Taylor Fladgate because we also wanted to have lunch at Barao de Fladgate. Food is an important part of the travel experience!

Taylor offers a self- guided tour (with audio available in English) and port tastings in the garden afterwards. No reservations are needed for tours but they are required for lunch.

The self-guided tour, which includes a visit to the cellars, was fun and informative.

Visitors learn about the history of the wine, the area it comes from, and port production through photos, a short film and exhibits at Taylor Fladgate.

We thoroughly enjoyed our tour, which covered the history and “how to” of port production, interesting information about the families behind the cellar, and included a short film, static exhibits, photographs, and a cellar visit.

Afterwards we were entertained by a group of peacocks and one very loud, very busy rooster who was clearly in charge, during our tasting in Taylor’s garden. There is also a well-stocked shop on the premises with relative bargains compared to the prices you’ll pay in the U.S. for ports of this quality.

Visitors have numerous choices for their port tasting.

This fellow clearly ruled the roost and let those peacocks know it.

Taylor Fladgate is the only port house we visited in both our visits to Porto, so we can’t give details on the others, though Grahams was also highly recommended. Check with all those you’re interested in for specifics.

Many of the larger port houses have tours and tastings. Check individual websites for updated information and to make reservations where required.

A water taxi goes back and forth from Porto to Vila Novo de Gaia for about 3 euro. It’s a short but pleasant ride and sometimes you can see the local boys jumping off the lower level of the Eiffel Bridge to the river below.

Taking a water taxi is a nice way to cross the Douro after port tasting and exploring Vila Nova de Gaia.

If you are a serious port person or just want to learn more and sample some of Portugal’s best known export, look into a visit at the Douro and Port Wine Institute’s Interpretive Center. A word of warning – port is a high alcohol, fortified wine so taste judiciously.

Museu Serralves– Contemporary Collections

A peek inside the enormous Anish Kapoor installation.

As we said, there’s much more to Porto than port. For contemporary art lovers, the Museu Serralves is a top draw. The museum, which showcases contemporary art from the 1960s through the present, recently celebrated its 30th anniversary. Its vast collection includes more than 4,400 works either owned by the foundation or on long- term loan. Located in a beautiful park-like setting, it’s easy to reach by public transport, cab or Uber.

There are more than 4,400 works of contemporary art in the Museu Serralves’ collections.

Numerous models of famous works by Anish Kapoor, including Cloud Gate, informally known as the Chicago “Bean”, were on exhibit when we visited the museum.

The Incredible Hulk has international appeal.

There was so much to see and experience, we wound up spending almost all day at the Museu Serralves.

Some visitors practiced yoga and danced inside this Kapoor installation.

Museu National Soares dos Reis–– Porto’s First Public Art Museum

The oldest museum and first public art museum in Porto, the Museu National Soares dos Reis has been located in the beautiful 18th century Carrancas Palace since 1940.

“The Presence of History” by Pedro Valdez Cardoso, greets visitors at the Museu National Soares dos Reis. Duct tape and found objects were used to construct the sculpture.

The museum was originally created as a repository for artifacts like these, seized when the government dissolved monasteries throughout Portugal. — A 1934 terracotta sculpture by Canto da Maya is one thousands of pieces on display at Porto’s very first public art museum.

The museum was created as a repository for confiscated property seized when monasteries in Porto and other Portuguese cities, like Coimbra, were dissolved by the government.

The museum was created to house art and other treasures like these, seized when the government dissolved monasteries throughout Portugal.

Ceramics, glassware, textiles and furnishing are among the decorative arts on display here.

The museum’s collections include sculpture, paintings, textiles, furniture, ceramics, jewels and works such as a Roman sarcophagus found in the Alentejo region dating from the 3rd century, an 18th century French tapestry that tells the life story of Portuguese explorer Vasco da Gama, and contemporary sculpture by Portuguese artists like Pedro Valdez Cardoso.

Portuguese Centre of Photography

Stories of spycraft, crime and photography converge at the Portuguese Centre of Photography near the Torre dos Clerigos. Yes, there are photo exhibits, but there’s much more in store for visitors here. The building itself, a former prison, is part of the story.

Housed in a former prison, the Centre of Photography includes exhibits about the people once incarcerated here.

Visitors can see cameras of every description including rare daguerreotypes, antique wooden cameras, spy cameras, and even disposable cameras. There are also exhibits about the prison and the people incarcerated within its walls, including political prisoners during the dark days of Salazar’s reign.

The Centre of Photography has special exhibitions as well as a permanent collection for visitors to enjoy.

The museum has revolving photo exhibitions as well as a permanent collection. We saw a fascinating exhibit of photos by and about the artist Frieda Kahlo.

Spy cameras used during Salazar’s tenure are on display along with vintage cameras and much more at the Portuguese Centre of Photography.

Former prison cells now house exhibitions at the Portuguese Centre of Photography.

Clerigos Tower– Torre dos Clerigos

While you’re in the area, consider a visit to the Clerigos Tower–– Torre dos Clerigos. A beautiful example of baroque architecture and a national monument since 1910, the tower offers expansive views of Porto.

Take a tour of this beautiful baroque landmark, a national monument since 1910.

Free or guided tours of this Porto landmark are available.

Se do Porto — The Cathedral of Porto and Churches Worth a Visit

A view of Porto’s Cathedral, or Se, at the top of the Praca da Batalha.

The Catholic Church has a major presence in Portugal and Porto has many marvelous churches filled with exquisite paintings, sculpture and azulejos. Visit the magnificent Porto Cathedral (Se do Porto) located in the Batalha area, the highest point in the city for the art and the views.

Though you’ll often read travel stories where you may be directed to “visit the Se Cathedral”, Se is the Portuguese word for cathedral, like duomo in Italian. Igreja means church. It is free to enter the Se but there is a small fee to visit the tower.

Inside the opulent Se do Porto, resplendent in gold and silver.

The Church of St.Francis or Igreja de Soa Francisco, Igreja do Carmo and the Carmelitas Church right next door, are also worth a visit.

Stop into Porto’s beautiful churches for some quiet reflection and to enjoy the art treasures within.

Located in Porto’s historic center in the building it has occupied since the mid 16^th century, MMIPO, the Museum of the Church of the Misericordia is worth a visit for its paintings, sculpture, religious articles and exhibits that tell the history of Porto’s Holy House of Mercy and the city itself. A visit to the museum includes entry to the church and is the only way to see it.

Porto’s Museum of the Church of Misericordia or Holy House of Mercy includes admission to the church, as well as the opportunity to view the fine art on exhibit.

Shop

If retail therapy is what you’re after, head over to Rua Santa Catarina. Santa Catarina is Porto’s main shopping street and is in the highest part of town, beginning at Praca da Batalha.

You’ll find all the well-known international brands and plenty of smaller, local stores along the busy street, as well as cafes and coffee shops including the famous Majestic Cafe.

The Majestic Cafe, open since 1921, is still a popular spot for coffee or a light meal.

Nearby, you’ll find Porto’s main market —Mercado do Bolhao. This is the place to pick up picnic provisions. If you’re lucky enough to have lodging that includes a kitchen, you can find fresh produce, charcuterie, cheeses, meats, and fish—everything you need to make a marvelous meal.

Sao Bento’s Azulejos

If you arrive in Porto by train and happen to come into the Sao Bento railway station, you’ll be treated to a remarkable display of azulejos – the fabulous blue and white tiles so famous in Portugal. Many people come to the station just to see the tiles, as we did.

The beautiful azulejos at Sao Bento rail station tell the story of Portugal and Porto’s rich history.

Rua da Ribeira Negra– Buskers, Bars and Boat Rides

The Rua da Ribeira Negra area is very busy and touristy but it is fun to walk along the river and enjoy the buskers and people watching. We saw people dancing, making music, and performing magic tricks.

The Rua da Ribeira is a lively area on the riverfront with cafes, bars and buskers.

Buskers sang, danced, performed magic, and blew giant bubbles hoping to collect tips from tourists on the Rua da Ribeira.

Most boat rides on the Douro River depart from Rua da Ribeira. We took an hour- long cruise–it was a nice ride and especially fun on a hot day! We did not book ahead—boats run regularly and there are a number of companies offering the same rides at the same prices. We picked the one leaving the closest to the time we wanted to go.

A boat ride on the Douro was the perfect antidote to a hot summer day.

Pick the river cruise that suits your departure time and length of journey. Most companies offer the same itineraries and rates.

Souvenir vendors line the riverfront. If you’re looking for cork products, tea towels and “typical” Portuguese goods, you’ll find them here.

Souvenir shopping under the Eiffel Bridge in Porto.

Shopping for tea towels for their new life together?

Sleep

Here, as in most cities, there are lodging options for all tastes and budgets. We stayed at the Eurostars Porto Douro just a 10- minute walk along the river to the Rua da Ribeira Negra area. The hotel is comfortable, clean and well- priced. Our large room had a little kitchenette perfect for making a cup of tea or a snack and the view from our balcony of the Eiffel Bridge, the boats and people passing up and down the river was unbeatable.

Our spacious corner room had a fabulous river view from the balcony.

The kitchenette was a nice addition to our room.

Breakfast was included in our rate and offered everything we could want from hot dishes to yogurt, fruit and pastries, including the Portuguese specialty pasteis de nata. The clientele was international and Americans were definitely in the minority here. We met some terrific fellow travelers and the front desk staff couldn’t have been more helpful.

The hotel has a well-priced laundry service (shirts were about 7 Euro), important since we rarely check luggage. There is not a full-service restaurant at the Eurostars but there is a bar serving light fare. There’s also a rooftop terrace with spectacular views and bar service during the summer months.

We enjoyed wonderful views up and down the river from the rooftop terrace at the Eurostars.

We also enjoyed a too-brief stay at the historic Infante Sagres Hotel in the heart of Porto. After an absolutely awful experience with the Rosa Et Al Townhouse’s self-catering apartment on our first visit to Porto, we sought refuge at this magnificent grand dame of a hotel with its lux lobby and beautifully appointed rooms. The elevator has vintage alligator- covered seats so guests can sit and enjoy the ride!

Old world luxury is a hallmark at the Infante Sagres in Porto.

Local Portuguese marble was used floor to ceiling in our spacious bathroom.

A comfortable bed in a blissfully quiet room was just what we needed after a very long day.

We were lucky to get even one night here at the last minute on a sold-out weekend. Somehow the front desk staff managed to book the next four nights for us at the Eurostars. We will always be grateful for their kindness.

The sumptuous breakfast buffet at the Infante Sagres can be enjoyed in the dining room or peaceful courtyard.

Whether port is your preference or art floats your boat, lace up your walking shoes and discover the myriad charms Porto’s winding, cobbled streets have to offer.

Il Grande Museo del’Opera del Duomo: All About Florence’s Famous Duomo

Florence’s Il Grande Museo del’Opera del Duomo has nothing at all to do with opera. Instead, it is all about the work, or opera, involved in building, preserving and maintaining one of the most recognizable Renaissance buildings in the world—Florence’s Duomo, also known as the Cathedral of Santa Maria del Fiore.

A spectacular view of Brunelleschi’s dome from Caffe La Terrazza.

If you’ve ever wanted to see how Brunelleschi’s magnificent dome was constructed, learn what the other options were for the Duomo’s facade, or see the remarkable art treasures once housed in the cathedral, this is the place to come.

Welcome to the recently reopened and reimagined Museo del’Opera del Duomo.

Soaring galleries give visitors a new perspective on the superb sculpture on display at the museum.

Re-opened in October 2015 after years of restoration and reconstruction, the Museo dell’ Opera del Duomo has an exquisite collection of sculpture, paintings and other masterworks displayed on three floors in 6,000 square meters of exhibit space, all designed to showcase the art to its best visual and historical advantage.

A visitor gets an up close look at a statue in the museum.

Most of the works were at one time in, or outside the Duomo.

These sculptures once graced niches in Giotto’s bell tower.

Some of the treasures to be found include the original North Doors created by Lorenzo Ghiberti for the Baptistry of San Giovanni along with the Doors of Paradise by Lorenzo and Vittorio Ghiberti. Replicas now hang on the Baptistry.

Ghiberti’s stunning Doors of Paradise and North Door once graced the Baptistry of San Giovanni but can now be found inside the museum.

Detail of door.

In all, the museum boasts 750 works of art covering 720 years of history.

Arnolfo di Cambio’s stunning Christ with the Soul of Mary

This exquisite silver alter features scenes from the life of John the Baptist and was created by Lorenzo Ghiberti, Betto di Geri, Bernardo Cennini, Antonio di Salvi, Francesco and Leonardo di Giovanni, Antonio del Pollaiolo and Andrea del Verrocchio.

Michelangelo’s poignant pieta, sculpture by Donatello including his magnificent Mary Magdalene as Penitent, and works by Andrea Pisano, Antonio Pollaiolo, Arnolfo di Cambio and other highly regarded Medieval and Renaissance artists are on display.

Michelangelo sculpted this pieta for his own tomb. He later destroyed it. It was reconstructed and acquired by Cosimo de Medici In 1671 and placed in the Duomo in 1722. It was the next to last sculpture Michelangelo ever created.

Donatello’s Mary Magdalene as Penitent draws many visitors.

Sacred items and iconography are part of the museum’s extensive collection.

In the Cappella Musicale, or music gallery, you will hear enchanting sacred music, and find works by Luca della Robbia and others, as well as rare illuminated music books.

Beautiful music fills this gallery where rare illustrated books, sacred objects and art treasures are displayed.

Brunelleschi’s dome, still considered a marvel of engineering, remains one of Florence’s most iconic monuments.

Models of Brunelleschi’s dome show how it was built and why it remains an engineering marvel.

In addition to the art treasures, the museum contains original building materials, equipment and tools, dating back to the Duomo’s 15^th century construction.

Wooden pulleys, ropes and other original construction equipment used to build the Duomo can be seen at the museum.

Original 15th century tools and equipment used to build the Duomo are displayed near a continuously running film that explores the design and construction.

Also featured are drawings and models of the dome and Giotto’s bell tower, which was begun in 1334, after Giotto’s death. An outdoor terrace offers splendid views of the dome.

Brunelleschi’s wooden model of the dome fascinates visitors.

A detailed model of the bell tower designed by Giotto is on display near beautiful stained glass windows created by notables including Ghiberti, Donatello, Paolo Uccelli and Andrea del Castagno.

Visitors to the museum will learn about the history of this spectacular cathedral, designed by Arnolfo di Cambio and dedicated in 1412. The name Santa Maria del Fiore means St. Mary of the Flowers or Virgin of the Flowers. Once the largest church in all of Europe, today it is third in size, after St. Peter’s Basilica in Rome and London’s St. Paul’s Cathedral.

A film called Courage to Dare about Florence during the Renaissance and the creation and construction of the Duomo runs continuously in the museum.

A number of possibilities considered for the Duomo’s facade are on display, including this one.

Combination tickets can be purchased for the Duomo Museum, the Baptistery, the bell tower and the Crypt of Santa Reparta, named for the 7^th century church that once stood on the site of the Duomo. There is no charge to enter the Duomo, but paid tickets are required for visitors who wish to climb the more than 400 steps to the top of the bell tower.

The Baptistry of San Giovanni always draws crowds. Tickets are required to enter.

Appropriate clothing is essential for entry. In other words, no shorts, short skirts or skimpy, shoulder baring tops on women or men. Bulky bags and backpacks must be checked. Visit www.ilgrandemuseodelduomo.it for information on ticket prices, hours and tours.

Admission to the Duomo is free but take care to dress appropriately or you will be denied entry.

On our visit, we also had free access to a photographic exhibition called Opera di Viva by Michele Pecchioli, which paid tribute to the hundreds of men and women who have worked to preserve the artistic integrity and cultural heritage of the building and the art works within for more than 700 years.

Michele Pecchioli’s photographs pay tribute to the men and women who restore and preserve the art and cultural heritage of Florence’s iconic Duomo.

The photos feature the restorers, artists, employees and security guards who play a role in safeguarding these treasurers and ensuring public access to the works for years to come. Note: This was a temporary exhibition and may now longer be available for viewing.

A close up of a security guard charged with safeguarding the priceless treasures at the Duomo and its museum.

When the sun begins to set in Florence, head over to Piazzale Michelangelo for another perspective on the Duomo —and enjoy the gorgeous vista across the Arno over the city.

Some of the most spectacular views of Florence can be had from the Piazzale Michelangelo. Don’t miss a visit to the beautiful San Miniato al Monte across the street. It’s the oldest church in Florence, after the Baptistry.

Florence’s Duomo viewed from Piazzale Michelangelo.

The department store La Rinescente has a terrace restaurant with fine views of the Duomo, as well as drinks and light fare.

If you crave an aperitivo with your sunset and Duomo views, go to La Rinascente, the department store on Piazza Repubblica. Go directly up to La Terrazza on the top floor and you’ll find a little rooftop café/bar with great views of the city and the iconic dome. It gets crowded so get there early or be prepared to wait.

Sensational sunset view over the Piazza della Repubblica from Caffe La Terrazza.

Cin Cin!

Scarpe Diem: Florence’s Salvatore Ferragamo Museum

Descend the staircase in the stunning Palazzo Spini Feroni, which houses the flagship Ferragamo store and serves as company headquarters, and you’ll be greeted by walls of Salvatore Ferragamo’s strikingly beautiful shoes, artfully displayed, of course. Though they play a major role in the Museo Salvatore Ferragamo, a marvelous small museum on Florence’s posh Via Tornabuono, there’s much more to see than fabulous footwear.

Ferragamo’s shoes may themselves be considered works of art.

The Museum tells the story of the man, who grew up outside of Naples, the eleventh of 14 children and became “shoemaker to the stars”; the company, which became synonymous with beautiful and comfortable shoes that were widely imitated; and the city of Florence itself.

Visitors can learn about Florence’s fascinating history at the museum.

Stunning masterworks of 17^th and 18^th century Florentine art, a look at the palazzo’s chapel with frescoes by Bernardino Poccetti, artful fashion, and company’s history are all part of the museum experience www.ferragamo.com/museo.

There is much more to see than shoes at the Museo Salvatore Ferragamo.

In addition to the innovatively designed shoes for which the company is known, the signed lasts created for Marilyn Monroe, Rita Hayworth, Sophia Loren and so many other movie stars and well-known names, past and present, are on view along with Ferragamo’s leather working tools.

Wooden lasts created for movie stars, royalty and other recognizable names hang on the museum’s walls.

The company’s history is cleverly presented in photographs displayed on racks like tourist post cards.

These “picture postcards” give visitors a glimpse of the company’s past.

Video and still photos tell the story of Salvatore Ferragamo and the company he created.

Beautiful sculpture, noteworthy paintings, historic books, documents, and more from the family’s extensive collection compete for visitors’ attention. Classical music such as Corelli’s Le Sonata per Violino, Violone e Cimbalo plays in various gallery spaces, adding to the ambiance.

Along with the permanent collection, the museum hosts rotating exhibitions. The current show, Across Art and Fashion poses the question, “Is fashion art?” and examines the relationship between the two.

The famous building, constructed in 1289, is itself part of the museum. Among other things, the Palazzo Spini Feroni was once home to the City Council when Florence was the capital of Italy. Salvatore Ferragamo purchased the Palazzo in 1938, after returning from America, and it has served as Ferragamo’s headquarters since that time.

During it’s long and colorful history, the Palazzo Spini Feroni was home to Florence’s City Council, a hotel and art galleries before becoming Ferragamo’s headquarters.

Salvatore Ferragamo’s widow, Wanda, was instrumental in creating the museum.

Through the efforts of Ferragamo’s widow and family members, Museo Salvatore Ferragamo was founded in 1995 after an exhibition at Florence’s Palazzo Strozzi went on tour, hosted by New York’s Guggenheim Museum, the County Museum of Los Angeles, London’s Victoria & Albert Museum, and Sogetsu Kai Foundation in Tokyo among others. The traveling exhibition became the basis of the permanent collection at the museum.

Phone or email for private guided tours.

Private guided tours can be arranged on the first Saturday of each moth at 10 a.m. and 11 a.m. by emailing museoferragamo@ferragamo.com or by calling +39 055 3562466. The museum also hosts special events. Check the website www.ferragamo.com/museo for details.

Pitstop in Pisa

If you’ve never been and you’re in the area, it’s worth a stop to see Pisa’s famous Leaning Tower and the Campo dei Miracoli or Square of Miracles. The Tower, or Torre, which was begun in 1173 and not completed until 1399 almost 200 years later, is one of the most recognizable and visited sites in Italy.

Go ahead– it’s why you’re here!

It’s easy to reach Pisa from Florence by car or train. We stopped on our way back to Panzano from Lucca. Park in one of the signed lots close to the piazza. There is a bit of an “element” looking to take advantage of tourists near the Campo dei Miracoli so it’s worth putting your car in an attended, paid lot. If you’ve arrived by train, take the LAM Rossa bus from the station in the direction of San Jacapo and get off at Torre.

Site map of the Campo dei Miracoli shows where everything is located.

If you’re feeling energetic, you can climb the 251 steps to the top of the Tower, for a fee. Children under the age of 8 are not allowed up into the Tower for safety reasons and children between the ages of 8 and 18 must have an adult accompany them. Opening hours and ticket prices are available at here, the official tourism website for Pisa.

Part of the fun is watching everyone else take their photos.

Take the requisite photos, enjoy watching others take theirs, and then visit Il Duomo, Pisa’s cathedral. It is really beautiful and has the holy doors or porta santa open for the Catholic Church’s Jubilee Year of Mercy. Inside, in addition to the spectacular architecture, you’ll find art treasures like 700-year-old depictions from the bible, works by Ghirlandaio, the tomb of the Holy Roman Emperor Henry VII, a beautiful mosaic by Cimabue, and a carved pulpit by Giovanni Pisano. Photos are not allowed inside.

Take the time to come inside. There is no charge to enter Pisa’s magnificent Il Duomo.

The Baptistery, though not as spectacular inside as the duomo, is also worth seeing if time allows. The Museo dell’Opera del Duomo, which contains many of the artworks formerly housed in Il Duomo, the Baptistery and the Camposanto (cemetery) is also located on the Square of Miracles.

Construction on the Baptistry began in 1152 and is the best known work of Pisan architect Diotisalvi.

Entrance to the Cathedral is free but you must collect an entry coupon at the ticket office on the square. For tickets and admission information for the Baptistry, Museum and Camposanto click here.

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