Sculpture

The Cinque Terre, Portofino and Camogli: Liguria’s Allure

Liguria is the place you imagine when you think of Italy’s spectacularly scenic Mediterranean coastline, stylish Europeans sipping spritzs behind oversized sunglasses, perhaps aboard fabulous yachts bobbing in crystalline waters. I’d traveled to Italy 15 times and when a friend asked why I’d never been to Liguria, I had no answer. It was time!

**Liguria is known for its beautiful seaside towns. We chose to stay in Camogli.**

There are many lovely small cities and towns dotting the Ligurian coast, all with their own particular charms. We settled on Camogli, midway between the bustling seaport city of Genoa to the north and Riomaggiore, the southernmost of the ever- popular Cinque Terre—the Five Towns. We had a rental car and planned to drive from Ortesei in the Val Gardena, where we’d spent a week at the Adler Dolomiti hiking in the beautiful Italian Alps, to the Ligurian coast.

**Pastel buildings, many at least six stories high, line** **the seafront in Camogli.**

The freeways were fine, but rain and traffic slowed us down considerably. We’d been driving for nearly six and half hours for a trip that should have taken just over five, when 90 minutes shy of our destination we entered another of an endless string of tunnels (the Italians call them galleries) and quickly noticed that not only had traffic completely stopped, but everyone around us had turned off their engines. Did I mention I was claustrophobic? Just as I was beginning to hyperventilate, the people in a car ahead of ours jumped out, skateboard and a soccer ball in hand.

***We were stuck in a tunnel for more than an hour*— *watching them kept my mind off it!***

This was the distraction I needed for the next hour until miraculously, engines started, and traffic began to move ever so slowly out of the tunnel. What a relief to finally arrive at the Cenobio dei Dogi in Camogli.

Camogli- Under the Radar but Not for Long

*The terrace at Cenobio dei Dogi is the perfect place for lunch or an aperitivo.*

Our room at the Cenobio was on the top floor of this building above the pool. It was nice to have a choice of the pool or the private beach and we often used both!

We chose the Cenobio after reading about it in a Frances Mayes book. It’s a stylish grand dame of a hotel, with a prime location at the end of the esplanade overlooking the sea and the town below. It has a private beach, a pool with plenty of lounge chairs, a well-reviewed restaurant and an outdoor terrace for drinks and lunch, all with amazing sea views. It is steps away from the main pedestrian street, Largo Luigi Simonetti, and a five-minute walk to the train station.

We had phoned ahead (from the tunnel), and they had a table was waiting for us in Il Doges restaurant. We tucked into a fresh mushroom salad, spaghetti al vongole (with clams), and a tower of fritto misto del mare with every kind of fish imaginable, before heading upstairs where we were lulled to sleep by the sound of the waves below.

Our room was on the top floor of the bright pink building behind the main hotel. The room was amply sized, and simply but comfortably furnished with a private balcony. I could have spent every waking moment admiring the sea view.

**The view from our balcony was unbeatable– the sea and Camogli! The umbrellas below are on the hotel’s terrace.**

Camogli boasts a bevy of tall pastel- hued buildings, most at least six stories high, looking out to the sea, where historically, many in this community have earned their livelihood. There are more working boats than pleasure craft in Camogli’s harbor and townspeople go about the business of living among the tourists who descend on the pedestrian main street in search of fresh seafood, focaccia, and beachy souvenirs.

**You’ll see more working boats than yachts in Camogli’s harbor.**

**These whimsical fish tail sculptures mark the beach near Camogli’s port.**

We devoted the next day to exploring Camogli, wandering the harbor area, window shopping, and learning about the Sagra del Pesce. Since 1952, the town has hosted a huge annual fried fish feast, originally served free to all. The event happens the second weekend in May, and honors the patron saint of fishermen, San Fortunato.

*Camogli is famous for its Sagre de Pesce– an annual event where everyone is welcome and fried fish is on the menu. This is one of the pans they used to use– four meters across!*

The early festivals used smaller cookware but in 1954, the first of a series of massive pans was introduced. That one was four meters in diameter. Two of these immense pans are displayed on a wall on Via Guiseppe Garabaldi near the Largo Luigi Simonetti. This year, three tons of fish, fried in 3,000 liters of olive oil, were served. In all, 30,000 portions were prepared by volunteers. Hungry attendees are asked to contribute 6 Euro each, all of which goes to charity. They even fry up gluten-free portions of fish!

*Here’s a look at the Sagre de Pesce circa 1970 using the pan that now hangs on the town wall.*

The Largo Luigi Simonetti, an elevated esplanade above the sea, serves as the main thoroughfare and is where you’ll find most of the town’s restaurants and shops. Families gather and children ride bicycles around the small piazzetta, which is also a perfect place for a sunset aperitivo and dinner.

*The Largo Luigi Simonetti, an elevated esplanade above the sea, serves as Camogli’s main thoroughfare*. *It’s a busy place on a Sunday at lunchtime!*

One of the joys of staying in a seaside town is all the fresh fish. Camogli has so many excellent places to eat it was hard to choose, but Izoa was one of our favorites.

You’ll find fish and pasta on every menu in town. Squid ink linguini with shrimp and vegetables was my pick!

Camogli has its share of tourists who visit, eat, shop, and mostly depart by nightfall. The crowds here do not compare to towns further south, particularly in the Cinque Terre, and we were very grateful for that!

*Sweet, savory or just plain, focaccia is as ubiquitous in Liguria as bruschetta is in Tuscany. There always a line, but it is worth waiting for the fresh baked focaccia at Revello.*

*Camogli’s public beach is popular even in October– the weather is still warm! Beaches in this area are covered in cobbles, not sand, so bring your aqua socks.*

The Abbey at San Fruttuoso

A trip to the Abbey at San Fruttuoso is a highlight of a stay in Camogli. This beautiful Benedictine abbey dates to the 10^th century and can only be accessed by foot – an arduous hours-long hike to the end of the peninsula, or a pleasant less than 30 -minute jaunt aboard a boat. You can catch the regularly scheduled boat, which is well signed-posted, on Camogli’s pier near the Basilica di Santa Maria Assunta.

*The Basilica di Santa Maria Assunta towers over the harbor behind it and the public beach in front of it.*

The regularly schedule boat to Punta Chiappa and San Fruttuoso leaves from this easy to find dock in Camogli.

After a quick stop at Punta Chiappa, we landed on the beach below the abbey. Upon arrival, you have options. You can climb the stone stairs up to reach the abbey immediately, take a hike up the hill beside it for the views, or just relax on the beach, as we saw a number of people doing.

*It’s an hours- long hike or a quick boat ride to the abbey at San Fruttouso. We took the boat.*

Many beaches in this area are filled with smooth stones rather than sand, so pack your aqua socks. The cobbles are really hard on tender feet!

There are two small restaurants on either side of the beach that we didn’t visit but seemed to be doing a good business. We climbed the steps, past the old rowboats and went inside to explore the maritime art, medieval artifacts, and antiquities housed on several floors of the abbey. We also visited the 10th century chapel and the crypt.

**The Abbey of San Fruttuoso has numerous antiquities, maritime artifacts and art on display.**

Though the abbey was important in the 11th and 12th centuries, it fell into disrepair and in 1467 was abandoned by the Benedictine monks who founded it. Genoa’s Doria family assumed patronage which lasted until 1885. Many members of the prominent family are buried here in the striking grey and white marble crypt.

*This small chapel in the Benedictine Abbey of San Fruttuoso dates back to the 10th century.*

*When the tide is low you can see San Fruttuoso’s image at the beach below his namesake abbey.*

We spent a few hours exploring the Abbey and the grounds and were back in Camogli in time for a leisurely late lunch on the hotel’s terrace and a swim.

The Cinque Terre–Beautiful But…

*This is the kind of view that draw tourists from around the world to the Cinque Terre.*

Since we were so close to the Cinque Terre, we planned to take a train early the next morning to Riomaggiore, the southernmost of the five towns, and make our way back up the coast by boat, stopping in each of the towns as we went. We had a car, but parking is almost impossible in these small Ligurian towns. It was a gorgeous, sunny October day — perfect for exploring, or so we thought. We caught a local train and less than an hour later disembarked along with a shocking number of other visitors. We could not believe how crowded the town was in the so-called off season.

Riomaggiore

We made our way through the heaving throngs down to the pier only to find a sign announcing there would be no boats “due to adverse weather.” Too nice to spend the day at work was our guess!

*No boats today! Sunny skies, calm seas–we couldn’t fathom the “adverse weather conditions” noted on the sign.*

*It’s a waiting game in Riomaggiore– the southernmost town in the Cinque Terre.*

We waited to climb up the stone steps to enjoy the views out over the water, waited to climb back down, waited to get a cup of coffee, and waited some more. We were not enjoying the highly touted charms of Riomaggiore. We decided to get on a train heading north and pay a visit to Vernazza, reputed to be the most beautiful of the five towns.

Vernazza

If Riomaggiore was crowded, Vernazza was mobbed! Even climbing the stairs to exit the train station was a challenge. There were tour groups galore. We finally made our way down to the water, and after noting the crowds, headed for the 11^th century church of Santa Margherita d’Antiocchia for a bit of peace and quiet.

*Vernazza is meant to be the most beautiful of the five towns in Cinque Terre.*

*The 11th century church of Santa Margherita d’Antiocchia provided a bit of peace and quiet in bustling Vernazza.*

After a walk around the main square, Piazza Marconi, we decided to head back to Camogli.

*After fighting the crowds to get to the ticket machine– it didn’t wor*k!

The ticket machine at the station wouldn’t take our credit cards or our cash. We asked the information person what to do since we didn’t want to get a fine, or worse, for traveling without a valid ticket. He laughed, said the machines had been broken for some time and advised we just get on the train with the tickets we’d used to come south. On we went, back down through the masses to the tracks below and northward to Camogli. We treated ourselves to gelato, headed for the hotel, and spent the rest of the afternoon at their private beach, enjoying the serenity of our beautiful little town.

*What a relief to return to Camogli and the blissful peace of the Cenobio’s private beach!*

Picture Perfect Portofino

By now we had explored Camogli, visited the much-vaunted Cinque Terre, had gone swimming in the Ligurian Sea’s crystal-clear waters, enjoyed a spritz or two, but still hadn’t seen any yachts. One stop on the local train took us to Santa Margherita Ligure and then a short bus ride brought us to picture-perfect Portofino.

The pretty town boasts upscale boutiques, inviting restaurants and a gorgeous harbor filled with yachts. There were also plenty of tourists, which at this point was not unexpected. We had a nice wander around town but the sculpture garden, Museo del Parco, we had planned to visit was closed, though we’d checked the website first.

We hiked up the hill to the lovely church of San Giorgio, lit a few candles and enjoyed the views. We realized we could probably see at least some of the art from above and took a winding path back down from the church to the harbor, enjoying the sculpture as we went.

**The sculpture garden, Museo del Parco, was closed but we saw a lot of the art from above as we walked back down to the Piazzetta from the Church of San Giorgio.**

*Here’s the view from above of Portofino’s beautiful harbor and the Museo del Parco.*

We decided to take a boat back to Santa Margherita Ligure—an excellent choice as it turned out. The boat took us on a scenic tour of the harbor where we saw plenty of pleasure craft, and spotted magnificent homes in the hills above the town.

*I’ll always say yes to a boat ride– especially on a day as beautiful as this one.*

After our all too brief boat ride, we enjoyed a walk around Santa Margherita Ligure’s waterfront and headed to the train station for the one- stop train ride back to Camogli.

Genoa

Here’s where our well-planned day took a turn. Santa Margherita Ligure’s station was small and didn’t have the large electronic signs with train numbers, expected arrival times and destinations you’ll typically find in Italian train stations. Five minutes before ours was due, a train pulled in and I insisted we get on. My husband reluctantly climbed aboard and as soon as the doors closed, I sensed I’d made a mistake. This train was much more luxurious than the locals we’d been taking up and down the coast. Sure enough, when I asked another passenger if the next stop was Camogli, he shrugged and said, “No lo so, Camogli.” –he didn’t know Camogli. Not a good sign. A conductor came along and when I showed him our tickets he laughed and announced we were on an express train to Genoa which, by the way, had nine different stations. He advised we keep our tickets, get off at Piazza Principe, and take the next local train back to Camogli.

We arrived in Genoa in less than 30 minutes. The leisurely ride back to Camogli took more than an hour and stopped no fewer than eleven times, but the views over the sea were spectacular. Lesson learned. Trains in Italy may be delayed, but they do not arrive early.

Though I still struggle with the appeal of the tourist- packed Cinque Terre and our misadventures landed us in Genoa, I loved our time in Liguria. It is a beautiful area with enormous charm, delicious food and wine, and absolutely worth a visit. I’ll definitely return to Camogli, may explore Genoa, but will give the Cinque Terre a miss next time!

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Explore Rome’s Ancient Wonders and Avoid the Crowds

Rome is the destination of choice for tens of millions of visitors annually and it seems like everyone is heading to the Eternal City this year. Where do all those tourists go? Only the Vatican gets more visitors than the Colosseum and both boast more than 4 million each year. Rome has more monuments than any other city in the world, so why fight the crowds when there are so many other archeological marvels to see in Bella Roma?

The Vatican Museums are astounding and should be on everyone’s itinerary but even with timed entry tickets, be prepared for enormous crowds.

The savvy traveler to Rome will purchase an Archeological Museum Pass. The last time we checked, 25 Euro will buy you an expedited entrance to several of Rome’s most important archeological sites and museums. The Colosseum, Forum, Palatine Hill, Baths of Diocletian, Crypta Balbi, Palazzo Massimo, Palazzo Altemps, and Baths of Caracalla are all included. The pass is available for purchase at any of these sites and is good for seven consecutive days. The Roma Pass also includes these sites plus additional museums and public transportation. It is available for 32 Euro for a two- day pass or 52 Euro for a three- day pass.

The Baths of Diocletian

The Baths of Diocletian are just across the busy Piazza Repubblica near Rome’s main train station Stazione Termini.

We have visited the Baths of Diocletian many times and have never had to wait on line to enter. On our first visit a few years ago, an expansive Henry Moore exhibition was on display throughout the baths. Seeing Moore’s sculpture, large and small, in this remarkable setting was an incredible experience.

The largest and best preserved thermal baths the Romans constructed, the Baths of Diocletian provide a respite from the crowds, outstanding architecture, art and history.

We were fortunate to see a marvelous Henry Moore exhibition staged at the Baths of Diocletian on one of our first visits here.

Even without a special exhibit on, this museum should be on your list. Built in the 4^th century, these are the largest of all the thermal baths built by the Romans. They are also among the best preserved and easy to reach since they are across the Piazza della Repubblica from Rome’s train station—Roma Termini.

Remarkably preserved Roman mosaics line the floors and some walls within the Baths of Diocletian.

A memorable experience awaits visitors to this archeological and architectural wonder.

Water was stored in these great halls where sculpture now stands.

If you happen to visit the in the evening, you’ll have the opportunity to walk inside the enormous baths bathed in blue light—a simulation of sorts of what the ancient Roman experience may have been. Day or evening, don’t miss this astounding repository of Rome’s magnificent history.

The large marble-clad pool, called the natatio, was about 4,000 square meters and one meter deep. Visitors are free to wander throughout the pool areas and great halls.

In 1561, Michelangelo was given the job of converting the Bath’s frigidarium into a church. He created the beautiful Basilica Santa Maria degli Angeli on the site, along with the cloister he designed. He likely did not live long enough to oversee its construction though it is referred to as Michelangelo’s Cloister. More than 400 works of art, including sculpture, reliefs, altars and more are displayed in the cloister and gardens.

The cloister of Santa Maria degli Angeli e dei Martiri, referred to as Michelangelo’s Cloister, contains hundreds of statues, sculpture, altars and sarcophagi.

This is one of several colossal animal heads that were found near Trajan’s Column in 1586 and brought to the cloister.

Inside the National Roman Museum, which has been housed at the Baths of Diocletian since 1889, visitors will find three floors of extraordinary exhibitions and works of art ranging from important documents related to Roman life, culture and commerce through the centuries, to classic sculpture, funerary objects, mosaics and much more.

Art and artifacts from the 5th century BC to the 4th century AD are displayed in the area known as the Epigraphic Museum, part of the National Roman Museum.

Fascinating documents and antiquities relating to Roman life, culture and commerce through the centuries bring the Roman experience to life.

We have visited the Baths of Diocletian numerous times and always spend many more hours than we planned– wandering through the Baths, the garden and cloister, and of course, the marvelous museum and beautiful Michelangelo-designed church, all located on this easy- to- reach site. There is so much to see here. Don’t miss it!

Palazzo Massimo alle Terme

Built at the behest of Jesuit priest Massimiliano Massimo, whose family had owned the land prior to the construction of Rome’s Termini Station, Palazzo Massimo was constructed between 1883 and 1887.

Also near the Baths of Diocletian you’ll find the stunning Palazzo Massimo alle Terme. This is another of Rome’s great treasures not found on many traveller’s itineraries. The Palazzo Massimo gives visitors a rare look into what life was like for upper class Romans during the empire’s heyday.

Detail of one of the many beautifully preserved mosaics on display at Palazzo Massimo alle Terme.

Here you’ll discover beautifully preserved mosaics, frescoes, stuccoes and entire rooms rebuilt inside the museum from Imperial Roman villas. The beautiful painted garden from Livia’s Villa (constructed 75-50 BC) now displayed here, offers a serene escape in the heart of the busy city.

These carefully restored painted walls once adorned the villa belonging to Livia, wife of Augustus.

This reconstructed room from Villa Farnesina gives a glimpse into upper class Roman life in the 1st century BC.

These bronze arms were fittings from one of two ceremonial vessels owned by Caligula and recovered from Lake Nemi between World Wars I and II. The ships were destroyed during WWII.

Portraits from the Republican to the Imperial era, Greek and Roman sculpture (including the famous Hermaphroditus Asleep from the 2^nd Century), jewelry, furnishings, and even a mummy of an eight-year old are included in the museum’s collections.

The Boxer (also called The Pugilist) seems to gaze plaintively at visitors through his lost eyes. This magnificent sculpture may date from the 4th century BC and was found on Quirinal Hill.

The Lancellotti Discobolos, in the foreground, is another important sculpture from the Antonine period on view at Palazzo Massimo.

Palazzo Altemps

This peaceful courtyard gives visitors to Palazza Altemps quiet respite from the busy Piazza Navona just outside.

Just off the busy Piazza Navona is Palazzo Altemps. This gorgeous 15^th century palace was once home to Cardinal Altemps and has been a part of the Roman National Museum since 1997.

Classical sculpture and elaborately decorated ceilings line the loggia.

The Palazzo includes works ranging from Egyptian antiquities, Greek and Roman sculpture, original frescoes, and the spectacular Ludovisi Collection.

The Ludovisi Fury is thought to be a copy of a Greek work, likely from the 2nd century. The left side of the face was cut horizontally to provide stability and is sometimes called the Sleeping Fury.

Ancient sculpture and reliefs from important collections, notable Egyptian artifacts, frescoes from 70-100 AD, and other antiquities are all housed in the museum’s galleries.

The 104 sculptures that comprise the collection, begun by Cardinal Ludovico Ludovisi in the early 1620s and purchased by the Italian government in 1901, is widely regarded as the centerpiece of the Palazzo Altemps. Be sure to see the famous Ludovisi Throne.

Detail of one of the colossal sculptures displayed at the Palazzo.

The museum also houses several other important collections including the Mattei and “Dragon Collection” which has nothing to do with mythical beasts but is instead the works owned by the del Drago family. Visitors will also find the Pallavicini Rospigliosi Frescoes, which date from 70-100 AD, and notable art and significant artifacts in the Altemps’ Egyptian and Antiquarian collections.

The beautiful Church of San Aniceto is located within the Palazzo Altemps– a serene spot for contemplation and prayer.

Step inside the Church of San Aniceto, which is located within the palazzo and was built in 1617 to house the saint’s remains, for a meditative moment or two and leave the noise and crowds behind.

Crypta Balbi

Crypta Balbi’s excavations show how Rome developed from antiquity through the 20th century, building layer upon layer from its ancient beginnings.

You will not be fighting crowds at Crypta Balbi, also part of the National Roman Museum. It is a wonderful archeological site and should be on your list of remarkable places to see. A subterranean tour through excavations of ancient buildings, combined with fascinating exhibitions, takes visitors on a historical journey from Rome’s earliest beginnings through the 20th century.

The excavations, which give visitors a fascinating look at the city’s earliest development, began in 1981.

Frescoes, such as these from Santa Maria in Via Lata can be found upstairs in the “Rome from Antiquity to Middle Ages” section of the museum.

Ceramics, glass fragments, coins, tools and other items from Roman daily life centuries ago are on display.

Be aware that there are not always English speaking guides available to accompany you through the excavations below the museum but the exhibitions upstairs have information in English. Even without a guide, it is worth exploring the lower level. The museum is at Via delle Botteghe Oscure 31, just around the corner from the Largo di Torre Argentina where you’ll find interesting ruins, a sunken excavation site and a cat sanctuary and adoption point.

The Largo di Torre Argentina is home to ancient Roman ruins and a cat sanctuary.

The Pantheon

The Pantheon is one of Rome’s most important and most visited ancient wonders.

The Pantheon is one of ancient Rome’s most glorious structures and has been in continual use since it was built by Marcus Agrippa in 31 BC and rebuilt by the Emperor Hadrian 125-118 AD. Illuminated by the oculus in its magnificent dome, the Pantheon boasts the largest masonry vault ever constructed. As of July 3, 2023 a 5 Euro fee is required to enter. Tickets are available online and onsite and nearly 3,800 were sold the first day.

Originally built in 31 BC by Marcus Agrippa, this is the largest masonry vault ever constructed and it is spectacular.

We have been here when the sun is streaming in through the oculus as well as when the rain is pouring down—a visit here is a memorable experience at any time.

Sculpture, paintings and sacred art adorn the interior of the Pantheon.

The esteemed Italian painter Raphael and Italy’s first king, Vittorio Emanuel II, are both buried here. Go early in the morning to beat the crowds.

Arrive here any time after early morning and be prepared for large crowds and the occasional, “Silencio,” shouted by guards.

After you’ve finished marveling at the immense beauty inside the Pantheon, take a walk around the exterior. You can see excavations of the shops and dwellings that surrounded the building during the era of Imperial Rome.

Shops and homes were once built into the Pantheon’s exterior walls. Visitors can see the remains today.

Close to this magnificent building you’ll find the classic Armando Al Pantheon. Open for lunch and dinner, except on Saturday nights and Sundays, this place serves traditional Roman cuisine. Reservations are essential as it’s popular with locals and tourists.

The Colosseum

If you’ve never visited Rome before, you’ll need to brave the crowds and see the Colosseum.

I’m not suggesting you skip the Colosseum. In fact, if you’re planning to head over that way, be sure to include the Forum and Palatine Hill in your plans. Just be prepared. Lines are less long early in the morning, but there are always lines. If you have an Archeological Pass or Roma Pass you get to go on a much shorter line than those without—just look for the signs. The Colosseum, which took just under 10 years to build, was completed in 80 AD and is the largest amphitheater ever constructed.

Pack your patience and your most comfortable walking shoes. Crowds are huge and steps are steep and unforgiving at the Colosseum–one of Rome’s most visited sites.

There are rules, though apparently not always observed.

You’ll be hiking up and down some very steep stone steps and rocky, uneven walk ways in both the Colosseum and the Forum. There is no shade so wear a hat or take an umbrella to keep the sun off and bring a bottle of water if it’s a hot day. There are no services or shops. Some areas are handicapped accessible but inquire before setting off.

The Forum

The Forum tempts the imagination with incredible Imperial Roman ruins.

The Roman Forum was the heart of the ancient city and the ruins are spectacular. Some of the highlights include the Arch of Titus (through which most visitors enter), the Temple of Saturn, and the Temple of Vesta. The Sacra Via, or sacred road, runs through the ancient site.

Uneven walkways and cobbled paths at the Forum call for comfortable shoes. Bring a hat and water– there’s no shade and no conveniences inside the gates.

Be aware that unlike the Colosseum, there are no facilities once you are in the Forum—no bathrooms, snack shops, water fountains or souvenir vendors inside the gates. Beware of pickpockets and “for hire” guides at both the Colosseum and the Forum. The latter often dupe visitors into thinking they must buy a guided tour to get inside, which is not true.

Visitors take a walk through ancient history on original Roman roads. Most significant sites are signed in English and Italian but a guidebook will be handy here.

All that walking gave us an appetite. We had a good lunch across from the Colosseum at Angelino ai Fori dal 1947 at Largo Ricci #40, 06.6791121. We expected high prices and mediocre food since it’s so close to several major tourist sites but were pleasantly surprised by both the food and the prices.

We enjoyed a delicious lunch on the patio at Angelino ai Fori.

If you are prepared for a short journey, take a trip to Ostia Antica. Ancient Ostia was once a bustling seaside town built on the Tiber River where it enters the Mediterranean Sea, but now, 2,000 years later, it is four kilometers from the water. We found the ancient site even more interesting than the Forum and far less crowded. We enjoyed a picnic here one fine afternoon and learned, once we had secured a knowledgeable guide of the area, that we’d had our lunch seated on a burial site. There are spectacular ruins of baths, a theater, apartment houses (some with painting still intact), mosaics, and much more to see in the excavations of this once fortified city.

These are just a few of the astounding archeological treasures found nowhere else but Rome. Put on your walking shoes and go explore this ancient and vibrant city.

PS If you’re looking for restaurant recommendations near the historic center or want to know where to go for gelato, reach out!

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Semana Santa- Celebrating Holy Week in Spain

Throughout Spain, the week leading up to Easter Sunday, known as Semana Santa or Holy Week, is observed in ways both joyous and solemn. Each afternoon and evening from Palm Sunday through Easter Sunday, thousands of Spaniards and visitors gather in city streets and town squares to celebrate a Catholic tradition that dates back at least to the 15^th century—to the reign of the Queen Isabella and King Ferdinand. The Catholic monarchs, as they are called, told the story of Christ’s resurrection to a largely illiterate population in a way that has endured for centuries, through processions. Here’s our experience:

Processions on each day of Semana Santa correspond to the story of Christ’s Passion, Death and Resurrection with different pasos depicting specific biblical scenes from the New Testament. In Ronda, one of Andalusia’s famous “white towns,” Jesus is shown arriving in Jerusalem on his donkey on Palm Sunday, *traditionally the beginning of Holy Week.*

We arrived in Madrid for the first time on a Maundy Thursday– the Thursday before Easter commemorates Christ’s Last Supper and is one of the Catholic Church’s holiest days. Though it was after 9 p.m., we were confident we’d find plenty of dinner options in a city known for dining late. Instead, we found one restaurant after another closed. Finally, at the Bar Santa Clara, the proprietor explained most places were closed not due to the hour, but to the day, pointing out it was Holy Week and that in Madrid people take Easter very seriously. He told us we could have “anything on toast” but that was all they were serving that evening. We ordered everything available–cheese, tomatoes, anchovies, and ham—all on toast.

Good Friday is one of the most important days in Holy Week and the pasos and processions are fittingly elaborate. It was well after midnight when this Good Friday procession returned to Toledo’s Cathedral.

We returned to our apartment behind the Prado Museum close to midnight and were getting ready for bed when our son excitedly announced, “I hear a parade!” We followed the pounding of drums and the heady scent of incense down the street towards San Jeronimo—the church favored by Spain’s Royal Family. Sure enough, a candlelit procession appeared out of the dark. First, we saw columns of marchers in various colored robes, faces covered, wearing tall, pointed hats. It was unsettling. Next, seemingly swaying to the music and moving ever so slowly, came an enormous float we learned was called a paso, featuring a life-sized Christ figure. Beneath it, we could see the strained faces of the men who somberly carried it on their shoulders. We watched until the entire procession passed into the church.

Be prepared for huge crowds during Semana Santa. The Plaza Mayor in Salamanca, one of the most beautiful in Spain, filled in minutes before the procession began. Streets and sometimes whole areas of a city may be closed to traffic during Holy Week.

We didn’t understand the scale of Holy Week celebrations in Spain, or their importance, until the next evening when we found ourselves caught up in enormous crowds between four different processions around Plaza Mayor, as we tried unsuccessfully to get to dinner on time. This, we began to understand, was how they celebrate Semana Santa. We joined in the celebrations.

*Sevilla is known for its elaborate Semana Santa celebrations. Chairs, banners and barricades went up at least a week before the festivities began.*

Fast forward a few years and we are in Sevilla. Preparations are well underway for Semana Santa though the festivities won’t begin for another week. Colorful banners are hung from balconies lining the procession routes that crisscross the city. Barricades are erected, and chairs and bleachers are set up in key locations for those privileged few with tickets. The rest of us will crowd the streets and sidewalks waiting and watching for the story of the Passion of the Christ to unfold as it has for 500 years or more.

*Every detail on the pasos must be perfect. At the Iglesia Colegial del Divino Salvador in Sevilla, members of the cofradia work together to ready their pasos for Holy Week.*

Meanwhile, cofradias (also called hermandades) or brotherhoods, are busy in parishes everywhere, painstakingly assembling the lavish pasos. These floats are beautiful works of art featuring biblical scenes that tell the story of Christ’s Passion, Death and Resurrection from the New Testament. They hold life-sized statues often handcrafted from wood and can include precious metals. They are laden with candles, fresh flowers, and icons. The most beautiful of these hold a single statue—the Madonna or Senora Dolarosa, the grieving mother of Christ. She is enrobed in an elaborate cape, often hand- embroidered with gold and silver thread, wearing gleaming jewels and surrounded by candles and flowers.

Jamie is a member of the confradia at the Church of the Magdalena and one of the 35 to 45 men, called costaleros, who will carry this exquisite paso through the streets of Sevilla during Holy Week. Once fully decorated with candles and flowers, pasos can weigh 5,000 pounds or more.

While the pasos are being readied, you can visit them in their parishes. We spent days wandering from church to church in several cities to see these magnificent pasos up close, admiring the detail and careful handiwork of the cofradias. We had the chance to chat with one gentleman, Jamie, who is not only a member of the brotherhood at the Iglesia de Santa Maria Magdalene in Sevilla, but also one of the bearers, called costaleros, who carry the massive pasos for up to six hours through Sevilla’s cobbled streets. He told us some pasos can weigh 5,000 pounds and take between 35 to 45 men to carry. Only women carry the paso of the Holy Mother in some parishes, as we saw in several processions in Salamanca last Easter.

Pasos, like this one at the Monastery of San Juan do los Reyes in Toledo, are on display in churches during Holy week. Visiting different parishes gives you the chance to admire the careful craftsmanship that goes into these spectacular floats up close.

Shortly before a procession begins, the sidewalks and streets swell with families who seem to appear from nowhere and a carnival-like atmosphere prevails. There are street vendors selling sweets and snacks, drinks, balloons, tiny penitent figures and other souvenirs. Soon, the incense smoke thickens, music starts, and the excitement in the air is palpable. Fathers hoist their young children onto their shoulders, and everyone crowds closer and often right into the street where the procession will pass. Some processions have only drummers; most have full marching bands, and sometimes there is singing. Depending on the size and importance of a brotherhood, parish, and the day in Holy Week, there can be numerous pasos in a single procession.

*People fill the streets and vendors with balloons, toys, sweets and drinks create a carnival-like atmosphere before and after Semana Santa processions.*

Embroidered banners announce the cofradias; a priest with a silver cross leads children carrying incense or lanterns. Nazarenos in their colored robes, faces covered by capuz or hoods, and hats called capirote pointing high to the heavens, follow. These are the penitents. There are also Mujeres de la Mantilla, ladies dressed all in black from their lacey veils to their shoes, silently processing, carrying candles and rosary beads. Everywhere in Spain, men, women and children march slowly through the streets during Semana Santa’s processions, each with a role to play in this ancient ritual.

*Young, old, believers or not, everyone crowds onto Spanish streets, like this one in Granada, to watch the traditional processions that mark Semana Santa.*

It is magical and emotional to be a part of this. Many people cry silently with tears streaming down their faces, some sob violently, others cheer and clap, or watch quietly as the exquisite pasos go by, but you will not see a blank expression. These processions touch people at the most visceral level. Finally, the pasos will re-enter the church they left from hours before and the streets empty almost as quickly as they filled.

The Senora Delarosa represents Christ’s grieving mother, the Virgin Mary. These beautiful sculptures are bedecked in jewels and exquisite garments, and surrounded with fresh flowers and candles. They usually follow the other pasos in Holy Week processions.

Every city we visited during this sacred time of year has procession routes and schedules available online and/or in print. Look for the booklets in cafes, shops and bars. This is valuable information for visitors to either find or avoid the processions. Be aware of street closures. Whole areas of a city may be closed to traffic and even passing on foot is extremely difficult, especially during the most important processions—like on Good Friday. Sevilla, Toledo, Malaga and other cities have Semana Santa apps, updated annually, you can download on your iPhone.

*The Risen Christ greets onlookers from this paso at an Easter Sunday procession approaching Salamanca’s Cathedral.*

We have been fortunate to celebrate Semana Santa and Easter Sunday in Madrid, Barcelona, Sevilla, Granada, Toledo, and Salamanca. Each city offered a unique and beautiful experience. No matter which region you visit, Semana Santa is an incredible time to be in Spain. It’s not too soon to begin planning for next year!

California’s High Desert Hidden Gems: Noah Purifoy’s Outdoor Desert Museum

I first learned about Noah Purifoy’s wondrous Outdoor Desert Museum while planning a trip to Joshua Tree National Park during the COVID pandemic. Museums, and most cultural outlets, were closed in Southern California where I live, and pretty much everywhere else, too. When I learned about an outdoor museum close to the town of Joshua Tree, I knew we had to go!

*Welcome to Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture.*

After spending most of the day hiking in the strange but beautiful Joshua Tree National Park, we headed out for a look at another high desert gem—Noah Purifoy’s Outdoor Desert Museum of Assemblage Art. We drove through the small town of Joshua Tree, into the scrubby desert landscape, past large lots and small houses–more than a few surrounded by chain link fences. In this part of Southern California, pick-up trucks are far more popular than Porsches.

*The high desert landscape is the perfect setting for Mr. Purifoy’s assemblage art. Shipwrecked is in the foreground with White House to the left.*

Up and down the lonely roads we drove until our turn- off onto an unpaved road that ended in a dirt lot. A triumphal arch of tires spelling out W-E-L-C-O-M-E in a non- conformist way, let us know we had arrived.

*Please don’t jump on the Band Wagon, 1995. Tempting as it is, visitors are asked to refrain from touching or climbing on the sculptures.*

*Bowling balls play a starring role in a number of Mr. Purifoy’s sculptures.*

*Found materials of all kinds make up the monumental sculpture in the Outdoor Desert Museum, as in this work called Aurora Borealis.*

I have been fascinated by assemblage art for a long time. Created from found materials, assemblage art personifies the old saying, “One man’s trash is another’s treasure,” and shows how a creative mind can make something provocative, beautiful, and meaningful from goods that might otherwise have been tossed on the trash heap. Noah Purifoy’s Outdoor Desert Museum of Assemblage Sculpture is the embodiment of that.

*1996 Toilet Bowl Sculpture is just one of the 30 inventive and monumental assemblage sculptures on the 10-acre art site.*

Too often, we find ourselves exploring these out-of-the-way places alone. We were happy to see others here experiencing these amazing art installations.

*Purifoy’s work can be poignant and provocative. This piece is called White/Colored.*

*Homelessness and shelter are among the social themes Purifoy explores in his work.*

A renowned assemblage artist, Noah Purifoy first came to national attention with sculpture he created using burnt debris from the 1965 Watts Riots in Los Angeles. His work was part of 66 Signs of Neon, a landmark group exhibition that traveled across America and abroad from 1966- 1971.

*Prominently positioned, The White House includes plumbing ware and bowling balls. It took Purifoy three years to create.*

*Free brochures lead visitors on a self-guided tour of the 10-acre site. Docent-led visits for groups can be arranged through the Noah Purifoy Foundation.*

Purifoy was the founder and first director of the Watts Tower Art Center and was later appointed to the California Arts Council, a position he held for more than a decade. His work there included bringing art into California’s State Prison system under the Artists in Social Institutions program he initiated.

*This piece, called Kirby Express, was created from old Kirby vacuum cleaners and bicycle parts among other things.*

*Here’s Kirby Express from a different vantage point with Shipwrecked and Carousel to the left.*

*No Contest (Bicycles) is dwarfed by a Joshua Tree, the area’s namesake desert plant.*

Long a fixture on LA’s art scene, Purifoy, who was born in Alabama in 1917, moved to Joshua Tree in California’s high desert in 1989. He began populating his 10-acre sculpture park with works of all shapes and sizes using materials ranging from discarded toilets to tires and just about everything in between. Industrial materials, clothing, wood, metal, rubber, concrete and old appliances all found their way into Purifoy’s art.

*From the Point of View of the Little People, 1994.*

*Abstract, whimsical, inventive and thought provoking, Purifoy’s works are best experienced by a visit to his amazing desert museum.*

*Piles of old chairs became art in Purifoy’s wildly creative hands.*

From 1989 until his death in 2004, Purifoy worked to create a public art space that continues to attract visitors from across the country and around the world. Admission to the sculpture park is free but donations are welcome. The Outdoor Desert Museum is open daily.

*The Gas Station conveys a certain attitude. The White House is to the left.*

*Admission is free but donations are welcome.*

Purifoy’s work can be seen at the Whitney Museum of American Art in New York, Los Angeles County Museum of Art, National Gallery of Art in Washington, DC, as well as other prestigious art institutions here and abroad. These eminent museums have long since reopened their doors, but visitors to Southern California may well want to head to the high desert to experience Purifoy’s final and very impressive body of work. Visit the Noah Purifoy Foundation for more information.

Lisbon’s Beautiful Belem

The Belem district is a fascinating and historic area of Lisbon that ought to be on every traveler’s itinerary—and it appeared that it was on the Sunday we spent there! Packed with monuments, museums and many of Lisbon’s “must see” spots, it’s just about five miles from the downtown area. It’s easy to reach via bus, tram or cab. We took a 10 Euro taxi ride for the 20-minute trip from Lisbon’s city center. The tram costs less but takes nearly an hour and with so much to see, we opted to save time.

There’s plenty to see and do in Lisbon’s busy Belem area.

Belem was the launching point for many sea voyages during Portugal’s Age of Discovery. The Tower of Belem was the last thing sailors would see as they left port and the first site to welcome them home.

The Church of St. Jeronimos and its monastery are beautiful examples of the decorative Manueline architectural style.

Before setting off, many sailors would stop at the stunning Church of St. Jeronimos and its spectacular monastery to pray for a successful journey and a safe return. These gorgeous buildings are wonderful examples of the decorative Manueline architecture popular in Portugal in the late 1400s through 1500s.

St. Jeronimos and it’s spectacular monastery are among Lisbon’s most popular sites.

The entry fee for the monastery is 10 Euro and worth it. It’s stunning and surprisingly peaceful in spite of the crowds. Admission is free for the church. If you plan to attend mass, be punctual. We arrived late and no amount of pleading would make the guards open the church doors for us until services were over.

Visitors to the church can see the tomb of famed Portuguese explorer Vasco da Gama and the memorial to writer Luis de Camoes.

Entry to the Church of St. Jeronimos is free but there is a fee for the monastery.

We were directed to the end of a very, very long line. After standing around for quite some time, we realized there were no lines at the other end of the building and decided to go check it out. That’s when we found the National Archeology Museum.

Avoid the long lines at St. Jeronimos by buying a combo ticket for the Archeology Museum next door for an extra two Euro.

Here’s a tip we wished we’d known–walk right past those long lines in front of the monastery and church and make your first stop in Belem the National Archeology Museum.

The museum is full of ancient treasures and antiquities, some dating back to the Iron Age.

Buy a combo ticket for the museum and the monastery (the monastery is actually in the same building as the museum). For an extra two Euro, or 12 Euro total, you can enjoy the museum’s terrific exhibitions and avoid the crowds. The museum is a treasure trove of Egyptian, Roman, Greek, and Moorish artifacts. After touring the galleries, you’ll go directly into the monastery from the museum without waiting on the ever-present line.

This was the first megalith we saw and it inspired us to seek out the Almendres Cromeleque, home to 95 of these fascinating stones near Evora in the Alentejo area.

The museum has a rich collection of Egyptian, Greek, Roman and Moorish art and antiquities. Be sure to visit the Room of Treasures in the museum. No photography is allowed in that area but the display of coins and jewelry from 1800 to 500 BC is impressive.

After touring the galleries in the National Archeology Museum, you’ll enter the Monastery directly without waiting on any additional lines.

This fascinating time line inside the monastery captures 500 years of world history in words and images.

In spite of the crowds, there are numerous serene spaces within the monastery perfect for quiet contemplation.

You may notice long lines around the bakery just up the street from the monastery. If you’ve been to Portland, Oregon, this may remind you of the lines around Voodoo Doughnuts. I’m always amazed by the patience people seem to have in their quest for particular baked goods, but back to Belem…

Lines for Casa Pasteis de Belem snake around the corner. Worth the wait? You decide.

This is the place that claims to have the original and the best Pasteis de Belem. These are little custard pastries in a flaky filo- like crust. Locals say these are good, but you’ll have to decide if they’re worth waiting for. We didn’t, but we haven’t ever waited for doughnuts either. They sell Pasteis de Belem in the Starbuck’s next door without the wait, though buying them there doesn’t quite have the same cachet. You can find these delicious pastries all over the country though they’re called Pasteis de Nata (nata is cream) or Pastel de Nata, if you’re only having one, everywhere else except Belem. Try one or two and remember to add a healthy shake of cinnamon and powdered sugar on top!

Time for lunch or dinner? Turn down this little street to find Enoteca de Belem.

If you’re hungry for a meal, we highly recommend the Enoteca de Belem (+351) 213 631 511 Travessa do Marta Pinto, 12. Located on a little alley off the main street in Belem, this is a terrific choice for lunch or dinner. It’s very small so book a table or prepare to be disappointed.

We were delighted with our lunch at Enoteca de Belem. Here’s a peak at the menu.

Sitting at the bar gave us a chance to learn about and taste delicious Portuguese wines.

We sat at the bar since we had missed our reservation time—the museum and monastery were so fascinating we spent far longer than we had anticipated. The bar turned out to be perfect for us because in addition to a fabulous lunch, we had a great chat and learned quite a bit about Portuguese wines and history.

The perfectly prepared scallops with cauliflower puree and quail eggs were as delicious as they looked.

The freshly caught grouper was the fish of the day. Served with “clam rice,” it was an incredibly flavorful dish.

Portuguese cuisine often pairs fish and pork. The tender grilled octopus and spicy chorizo was perfection on a plate.

This classic dessert, Papo de Anjo, reminded us of an upgraded rice pudding. Comfort food at its best!

Our lunch was incredible and one of the best meals we had in Lisbon. Try the scallops to start and the grouper or cod if they have it.

When we asked for the wine list, we were handed these vintage binoculars and instructed to look around and choose whatever we were interested in from the shelves above the bar. There was a printed list, as well, but selections change regularly– thus the binoculars.

We opted for wines by the glass so we could sample several. The staff were well- versed in the wide selection available and happy to make suggestions and answer questions.

The knowledgeable staff will be glad to help you match the appropriate wines to your food selections.

Sailboats and other pleasure craft ply the waters off the embarcadero. The Hippotrip looked like Lisbon’s version of the Boston Duck Tours. Could be fun, but we didn’t try it.

Next, take a walk along the water down to the Monument to the Discoveries, which honors Prince Henry the Navigator, and was built in 1960 to commemorate the 500^th anniversary of his death. Henry’s mother, Queen Filipa of Lancaster, Vasco da Gama, Magellan, King Manuel I and the poet Camoes are all depicted on the monument.

The busy waterfront is the perfect place to stroll and people watch. It’s possible to go inside the Monument to the Discoveries, which commemorates the 500th anniversary of the death of Henry the Navigator.

The Tower of Belem was the last bit of home Portuguese sailors saw as they set off to sea. It offers beautiful views but be prepared for long lines if you’d like to climb the 120 steps to the top.

Further on, you’ll see the famous Tower of Belem. It’s possible to climb 120 steps to the top of the tower for the views. Lines can be quite long. Let’s face it—there are lines for nearly everything you’ll want to see in this area so just be prepared for that. There’s an Atlas Hotel along the way with a nice terrace, perfect for an apperitivo if you’re ready for a break from touring– and the lines.

There is a lovely park near the waterfront and we happened to catch a good- sized open air market there on our visit.

On our walk back, we came upon an open air market selling everything from hand crafted ceramics, art and jewelry, to tea towels and mass-produced souvenirs. There was also a lively folk dance competition taking place in the park and we simply had to stop and watch for a while. It was delightful!

Troupe after troupe of talented folk dancers took the stage in the park. We joined the crowd to cheer them on.

Near the stage where the dancers competed, we spotted this pavilion. It was a 2012 gift from the Royal Thai Government to Portugal, celebrating 500 years of bilateral relations between the two nations.

We wished we had more time in Belem. We would like to have seen the Maritime Museum, Coaches Museum and the Ajuda Palace. Next time for sure!

Evora: The Alentejo’s Capital City

The Vasco da Gama bridge led us away from lively Lisbon to the rural beauty of the Alentejo.

An easy 90- minute drive southeast of Lisbon takes you to the expansive Alentejo region. Home to medieval villages, castles, palaces, pousadas, megaliths, wine producers, and vast agricultural lands, this beautiful area has something to please nearly all visitors. We made Evora, the capital of the region, and a UNESCO World Heritage Site, our headquarters. This delightful small city is a great base from which to launch day trips to the many attractions in the area.

The Alentejo’s capital city is best explored on foot– wearing comfortable shoes, of course.

Remember to look up as you wander!

The historic city of Evora has interesting sites and several museums to explore. Just walking the winding streets is a fine way to spend a day, especially in the area around the Largo Conde de Vila Flor. After a pleasant stroll through the Praca do Giraldo, Evora’s bustling main square, we considered our options.

The busy Praca do Giraldo is at the heart of the city. Numerous shopping streets fan off from the Praca.

Cork is king in the Alentejo and is featured in souvenirs from sandals to handbags.

Portuguese pottery is also a popular souvenir.

Time was short so we had to make choices. We decided to save the Contemporary Art Museum for our next visit and headed over to the Museum of Evora, which was hosting a Chinese porcelain exhibition along with its permanent collections.

The Museum of Evora is housed in a former Episcopal palace built in the 17th century.

Beautiful Azulejos tiles line the stone staircase inside the museum.

Teapots, serving pieces, jewelry and other treasures from China are featured in the current exhibition at the museum.

Placards describe the fine Chinese porcelain plates on display in Portuguese and English.

The museum features paintings from the 15^th through 19^th centuries, drawings, engravings, 17^th and 18^th century furniture, and Roman sculpture from the 1^st and 2^nd centuries.

The museum is known for it’s 17th and 18th century painting and sculpture. This piece is by Antonio Teixeira Lopes.

Religious articles, like St. Blaise’s arm reliquary from the 17th century, are part of the permanent collection.

Visitors can see this striking bronze sculpture, statuary, mosaics and other artifacts from the Roman era.

Interesting archeological finds from the Neolithic Age and a collection of silver and gold religious pieces, and jewelry are also on display. There were few visitors on the day we were there.

Antiquities from numerous ancient civilizations are on view.

Artifacts from the Roman era line a courtyard hallway.

Just outside the museum is the Roman Temple from the 1^st century AD. Today, the ruins are undergoing restoration and are under wraps, but it is possible to see several of the Corinthian columns.

The Roman Temple which dates from the 1st century is mentioned in all the guide books, but until the restoration is complete, there isn’t much to see.

There is a small park behind the temple that offers nice views over the area beyond Evora and across the way you’ll find a lovely pousada, once a monastery that is now an upmarket hotel called Pousada dos Loios. Feel free to wander inside and take a step back into Portugal’s past. The restaurant here is open to the public.

Here’s a peek at the courtyard and restaurant at Pousada dos Loios.

This small park behind the Roman Temple provided a nice place to relax and enjoy the views over the city and surrounding countryside.

Many people line up at Evora’s Church of St. Francis to visit the Chapel of the Bones or Capela dos Ossis. The 16^th century chapel displays the bones and skulls of monks. We’ve seen the creepy Capuchin Crypt in Rome so felt no need to stop in after our visit to the church. The public gardens beside the church were much more appealing.

Inside the Church of St. Francis.

The Chapel of the Bones is a popular tourist attraction inside the Church of St. Francis.

If you have time, stop into Evora’s Cathedral or Se. It’s one of the largest medieval cathedrals in Southern Portugal and is said to be built on the site of a former mosque.

Here are the marvelously mismatched spires of Evora’s cathedral.

Close to the Church of St. Francis, you’ll find Evora’s morning market. The market is indoors and was smaller than some we’ve visited, but we also arrived fairly late in the morning after many of the vendors had closed up shop. Happily, there were several purveyors of tasty cheeses, cured meats, and fruits and vegetables still open.

Many vendors had already packed up and gone home by the time we arrived at the market but there was still plenty to choose from.

Everything you need for a nice picnic is right here–local pork products, sheep and goat’s milk cheeses and other tasty treats.

Evora has lodging options to fit many budgets and preferences. We chose to stay at two very different, but both delightful properties in and near the city. We began our stay at the lovely Albergaria do Calvario, just inside the walls of the city www.hotel@albergariadocalvario.com.

We enjoyed our stay at the small, well-located Albergaria do Calvario.

Located just inside the ancient Roman walls, it was easy to walk all around the city and access the freeway quickly for daytrips from our hotel.

The location made it easy to walk to Evora’s important sites as well as to dinner each evening. It was also convenient to reach the freeway for our day trips further afield. We’ll discuss dining and day trips in additional posts.

The comfortable bar area welcomes guests for drinks and light bites.

Ours was a large, comfortable room with a big balcony overlooking the hotel’s courtyard where many guests enjoyed breakfast, aperitifs, and conversation. Rooms vary substantially in size so be sure to explore your options when booking.

Our room was large and bright with a huge balcony overlooking the courtyard.

The marble used here is mined nearby. There is a Museum of Marble in Vila VIcosa we”ll visit next time.

There is no restaurant per se in the hotel, but they do provide a substantial breakfast buffet and have small meals, snacks, and drinks on offer in the bar. Anything ordered can be enjoyed in the courtyard, the bar area or one of the comfortable sitting areas.

This is just a small part of the bountiful buffet breakfast greeting guests each morning.

The courtyard provides a pleasant place to enjoy breakfast, drinks, or just relax.

Friendly staff are happy to help with restaurant bookings, excursion ideas or whatever you need to make your stay memorable.

The staff is extremely helpful and will even park and retrieve your car for you. Parking is available onsite at no additional charge. Laundry service is also available at a very reasonable price. The only thing we missed at this charming, small hotel was a pool, but we got that at our next hotel–Convento do Espinheiro Hotel & Spa.

Welcome to the Convento do Espinheiro.

We also spent several nights about 15 kilometers outside of Evora at the stunning Convento do Espinheiro. The converted convent was built in 1458 and when we stayed, was part of the Luxury Collection group managed by www.starwood.com. The property has traditional rooms in the original buildings as well as two modern wings.

We had a large room in the modern wing of the hotel, complete with a nice balcony.

We enjoyed our stay in the modern wing where we had a very large room with a balcony and views over the property towards to the inviting swimming pool. After nearly 10 days of non-stop touring it was the perfect place to take break.

The pool provided the perfect place for relaxation, lunch, drinks and a refreshing dip.

There is also an indoor pool and a nice spa on site where I enjoyed a relaxing massage. There are tours given daily of the expansive Convento which covers the property’s fascinating history.

Ancient olive trees dot the property which dates back to 1458.

These stone benches have been here since the property was a functioning convent.

There is no charge for the tour, which includes a visit to the beautiful church (still in use), monk’s cistern where a complimentary wine tasting is held each evening, the former dining area and kitchen, as well as the vaulted storage cellar which now houses the hotel’s terrific restaurant.

Convento do Espinheiro was one of the three wealthiest convents in Portugal. The church is still in use today.

The bells, one original, ring out to announce a wedding has taken place.

The wine cellar is housed in the monk’s former cistern, which was once filled with water.

A complimentary wine tasting take place each evening at 6 p.m. in the wine cellar.

We ate dinner there each night of our stay. The food is artfully prepared and beautifully presented by top-notch staff. Be sure to reserve for dinner or prepare to be disappointed—the dining room fills up. Should you choose to go offsite for your dinner and prefer not to drive, the helpful staff can arrange for a taxi into Evora.

Fresh local fish elegantly prepared is served with flair.

Luscious lamb chops with squash puree are featured on the menu.

Save room for dessert.

Where monks once stored their wine, olive oil and honey, hotel guests now enjoy a bountiful breakfast buffet. It is possible to enjoy your morning repast out on one of the terraces or in the courtyard area, as we did.

The former storage for olive oil, wine and honey, now serves as the hotel’s elegant dining room.

We also arranged to see some of the traditional rooms including the “royal suite” used by many honeymoon couples. It is truly spectacular in a beautiful old-world way and features a contemporary bathroom and private rooftop terrace.

The “royal suite” often used by honeymooners offers old world charm and opulence.

The suite’s bathroom features modern fixtures like this free standing tub.

A private rooftop terrace, one flight up from the suite provides glorious views of the area around the Convento.

If your travel plans include a trip to Portugal, don’t miss the beautiful Alentejo. We’re looking forward to our return to this fascinating area.

Il Grande Museo del’Opera del Duomo: All About Florence’s Famous Duomo

Florence’s Il Grande Museo del’Opera del Duomo has nothing at all to do with opera. Instead, it is all about the work, or opera, involved in building, preserving and maintaining one of the most recognizable Renaissance buildings in the world—Florence’s Duomo, also known as the Cathedral of Santa Maria del Fiore.

A spectacular view of Brunelleschi’s dome from Caffe La Terrazza.

If you’ve ever wanted to see how Brunelleschi’s magnificent dome was constructed, learn what the other options were for the Duomo’s facade, or see the remarkable art treasures once housed in the cathedral, this is the place to come.

Welcome to the recently reopened and reimagined Museo del’Opera del Duomo.

Soaring galleries give visitors a new perspective on the superb sculpture on display at the museum.

Re-opened in October 2015 after years of restoration and reconstruction, the Museo dell’ Opera del Duomo has an exquisite collection of sculpture, paintings and other masterworks displayed on three floors in 6,000 square meters of exhibit space, all designed to showcase the art to its best visual and historical advantage.

A visitor gets an up close look at a statue in the museum.

Most of the works were at one time in, or outside the Duomo.

These sculptures once graced niches in Giotto’s bell tower.

Some of the treasures to be found include the original North Doors created by Lorenzo Ghiberti for the Baptistry of San Giovanni along with the Doors of Paradise by Lorenzo and Vittorio Ghiberti. Replicas now hang on the Baptistry.

Ghiberti’s stunning Doors of Paradise and North Door once graced the Baptistry of San Giovanni but can now be found inside the museum.

Detail of door.

In all, the museum boasts 750 works of art covering 720 years of history.

Arnolfo di Cambio’s stunning Christ with the Soul of Mary

This exquisite silver alter features scenes from the life of John the Baptist and was created by Lorenzo Ghiberti, Betto di Geri, Bernardo Cennini, Antonio di Salvi, Francesco and Leonardo di Giovanni, Antonio del Pollaiolo and Andrea del Verrocchio.

Michelangelo’s poignant pieta, sculpture by Donatello including his magnificent Mary Magdalene as Penitent, and works by Andrea Pisano, Antonio Pollaiolo, Arnolfo di Cambio and other highly regarded Medieval and Renaissance artists are on display.

Michelangelo sculpted this pieta for his own tomb. He later destroyed it. It was reconstructed and acquired by Cosimo de Medici In 1671 and placed in the Duomo in 1722. It was the next to last sculpture Michelangelo ever created.

Donatello’s Mary Magdalene as Penitent draws many visitors.

Sacred items and iconography are part of the museum’s extensive collection.

In the Cappella Musicale, or music gallery, you will hear enchanting sacred music, and find works by Luca della Robbia and others, as well as rare illuminated music books.

Beautiful music fills this gallery where rare illustrated books, sacred objects and art treasures are displayed.

Brunelleschi’s dome, still considered a marvel of engineering, remains one of Florence’s most iconic monuments.

Models of Brunelleschi’s dome show how it was built and why it remains an engineering marvel.

In addition to the art treasures, the museum contains original building materials, equipment and tools, dating back to the Duomo’s 15^th century construction.

Wooden pulleys, ropes and other original construction equipment used to build the Duomo can be seen at the museum.

Original 15th century tools and equipment used to build the Duomo are displayed near a continuously running film that explores the design and construction.

Also featured are drawings and models of the dome and Giotto’s bell tower, which was begun in 1334, after Giotto’s death. An outdoor terrace offers splendid views of the dome.

Brunelleschi’s wooden model of the dome fascinates visitors.

A detailed model of the bell tower designed by Giotto is on display near beautiful stained glass windows created by notables including Ghiberti, Donatello, Paolo Uccelli and Andrea del Castagno.

Visitors to the museum will learn about the history of this spectacular cathedral, designed by Arnolfo di Cambio and dedicated in 1412. The name Santa Maria del Fiore means St. Mary of the Flowers or Virgin of the Flowers. Once the largest church in all of Europe, today it is third in size, after St. Peter’s Basilica in Rome and London’s St. Paul’s Cathedral.

A film called Courage to Dare about Florence during the Renaissance and the creation and construction of the Duomo runs continuously in the museum.

A number of possibilities considered for the Duomo’s facade are on display, including this one.

Combination tickets can be purchased for the Duomo Museum, the Baptistery, the bell tower and the Crypt of Santa Reparta, named for the 7^th century church that once stood on the site of the Duomo. There is no charge to enter the Duomo, but paid tickets are required for visitors who wish to climb the more than 400 steps to the top of the bell tower.

The Baptistry of San Giovanni always draws crowds. Tickets are required to enter.

Appropriate clothing is essential for entry. In other words, no shorts, short skirts or skimpy, shoulder baring tops on women or men. Bulky bags and backpacks must be checked. Visit www.ilgrandemuseodelduomo.it for information on ticket prices, hours and tours.

Admission to the Duomo is free but take care to dress appropriately or you will be denied entry.

On our visit, we also had free access to a photographic exhibition called Opera di Viva by Michele Pecchioli, which paid tribute to the hundreds of men and women who have worked to preserve the artistic integrity and cultural heritage of the building and the art works within for more than 700 years.

Michele Pecchioli’s photographs pay tribute to the men and women who restore and preserve the art and cultural heritage of Florence’s iconic Duomo.

The photos feature the restorers, artists, employees and security guards who play a role in safeguarding these treasurers and ensuring public access to the works for years to come. Note: This was a temporary exhibition and may now longer be available for viewing.

A close up of a security guard charged with safeguarding the priceless treasures at the Duomo and its museum.

When the sun begins to set in Florence, head over to Piazzale Michelangelo for another perspective on the Duomo —and enjoy the gorgeous vista across the Arno over the city.

Some of the most spectacular views of Florence can be had from the Piazzale Michelangelo. Don’t miss a visit to the beautiful San Miniato al Monte across the street. It’s the oldest church in Florence, after the Baptistry.

Florence’s Duomo viewed from Piazzale Michelangelo.

The department store La Rinescente has a terrace restaurant with fine views of the Duomo, as well as drinks and light fare.

If you crave an aperitivo with your sunset and Duomo views, go to La Rinascente, the department store on Piazza Repubblica. Go directly up to La Terrazza on the top floor and you’ll find a little rooftop café/bar with great views of the city and the iconic dome. It gets crowded so get there early or be prepared to wait.

Sensational sunset view over the Piazza della Repubblica from Caffe La Terrazza.

Cin Cin!

Scarpe Diem: Florence’s Salvatore Ferragamo Museum

Descend the staircase in the stunning Palazzo Spini Feroni, which houses the flagship Ferragamo store and serves as company headquarters, and you’ll be greeted by walls of Salvatore Ferragamo’s strikingly beautiful shoes, artfully displayed, of course. Though they play a major role in the Museo Salvatore Ferragamo, a marvelous small museum on Florence’s posh Via Tornabuono, there’s much more to see than fabulous footwear.

Ferragamo’s shoes may themselves be considered works of art.

The Museum tells the story of the man, who grew up outside of Naples, the eleventh of 14 children and became “shoemaker to the stars”; the company, which became synonymous with beautiful and comfortable shoes that were widely imitated; and the city of Florence itself.

Visitors can learn about Florence’s fascinating history at the museum.

Stunning masterworks of 17^th and 18^th century Florentine art, a look at the palazzo’s chapel with frescoes by Bernardino Poccetti, artful fashion, and company’s history are all part of the museum experience www.ferragamo.com/museo.

There is much more to see than shoes at the Museo Salvatore Ferragamo.

In addition to the innovatively designed shoes for which the company is known, the signed lasts created for Marilyn Monroe, Rita Hayworth, Sophia Loren and so many other movie stars and well-known names, past and present, are on view along with Ferragamo’s leather working tools.

Wooden lasts created for movie stars, royalty and other recognizable names hang on the museum’s walls.

The company’s history is cleverly presented in photographs displayed on racks like tourist post cards.

These “picture postcards” give visitors a glimpse of the company’s past.

Video and still photos tell the story of Salvatore Ferragamo and the company he created.

Beautiful sculpture, noteworthy paintings, historic books, documents, and more from the family’s extensive collection compete for visitors’ attention. Classical music such as Corelli’s Le Sonata per Violino, Violone e Cimbalo plays in various gallery spaces, adding to the ambiance.

Along with the permanent collection, the museum hosts rotating exhibitions. The current show, Across Art and Fashion poses the question, “Is fashion art?” and examines the relationship between the two.

The famous building, constructed in 1289, is itself part of the museum. Among other things, the Palazzo Spini Feroni was once home to the City Council when Florence was the capital of Italy. Salvatore Ferragamo purchased the Palazzo in 1938, after returning from America, and it has served as Ferragamo’s headquarters since that time.

During it’s long and colorful history, the Palazzo Spini Feroni was home to Florence’s City Council, a hotel and art galleries before becoming Ferragamo’s headquarters.

Salvatore Ferragamo’s widow, Wanda, was instrumental in creating the museum.

Through the efforts of Ferragamo’s widow and family members, Museo Salvatore Ferragamo was founded in 1995 after an exhibition at Florence’s Palazzo Strozzi went on tour, hosted by New York’s Guggenheim Museum, the County Museum of Los Angeles, London’s Victoria & Albert Museum, and Sogetsu Kai Foundation in Tokyo among others. The traveling exhibition became the basis of the permanent collection at the museum.

Phone or email for private guided tours.

Private guided tours can be arranged on the first Saturday of each moth at 10 a.m. and 11 a.m. by emailing museoferragamo@ferragamo.com or by calling +39 055 3562466. The museum also hosts special events. Check the website www.ferragamo.com/museo for details.

Puppets in Palermo—A Stopover in Sicily’s Biggest City

Welcome to Palermo.

We took a drive right up the center of Sicily on SS624 to reach Palermo. The ride is scenic, beautiful and pretty straightforward. As you approach, you’ll be greeted with breathtaking views of the city sprawl and the bay—bellissimo!

Palermo is Sicily’s capital city and it’s most populous. Its Romanesque, Gothic and Baroque architecture, cultural attractions, and incredible cuisine draw visitors from around the world.

Palermo is the largest and busiest city in Sicily and has plenty to offer the visitor looking for a bustling urban experience. We had less than two full days in Palermo and there is far more to see and do than we had time for.

The simple facade of Monreale Cathedral gives no indication of the superb golden mosaics inside this “must see” church.

Let your first stop in Palermo be a visit to Monreale Cathedral. This stunning cathedral has golden mosaics that rival, and some say surpass, those at Venice’s Basilica San Marco (St. Mark’s). This is truly a spectacular church, considered to be the finest example of Norman architecture in Sicily, and should not be missed. The somewhat plain façade belies the beauty that awaits inside.

The breathtaking golden mosaics inside Monreale Cathedral rival those at St. Mark’s (San Marco) Basilica in Venice.

Narrow, busy streets and overcrowding make parking a challenge in Palermo and the area surrounding the cathedral is no exception. There is a well-marked, supervised pay parking garage just down the road from the cathedral. Walk carefully along the alley- like street back up to the church.

The clear message here is: Do not park in front of this garage. Parking is always tricky in Palermo. When in doubt, find a pay lot.

After enjoying the splendor of the cathedral, we had a terrific lunch at Bricco e Bacco Brasserie, just kitty corner from the cathedral. It was a lovely place with good, local specialties and friendly service. Since we arrived after the lunch crowd, it was also quiet. You’ll find the restaurant at Via B. D’Aquisto, 13, Monreale, Phone for a reservation +39 091 641 7773. It’s a popular spot.

Driving in Palermo can be a harrowing experience and is not for the faint hearted.

Wind your way down into the city proper, navigating traffic carefully. All bets are off in Palermo and traffic can be heavy. Stop signs seem to be a mere suggestion and traffic signals are also sometimes ignored.

Farm fresh fruits and vegetables are sold at stands throughout the city. Be aware that in Sicily, what we call broccoli is cauliflower here.

Street markets like this one, selling clothing, dry goods, kitchen wares and other necessities can be found throughout Palermo. Ask for a “piccolo sconto”– a discount. Bargaining is part of the fun.

We really enjoyed walking all around the city to get the flavor of it and to get our bearings on our first visit. We covered a lot of ground, including the Corso Vittorio Emmanuel, which is Palermo’s “high street.” Here you’ll find upscale shops and stylish boutiques, cafes and bars. Palermo also has numerous street markets with household necessities, clothing and dry goods, fruit stands, and food stalls, including the well known Vucciria and Ballaro markets.

Hands down, our favorite cultural institution in Palermo was the Museo Internazionale delle Marrionette. Yes, it is a puppet museum and far more compelling than you might expect. Sicily has a strong tradition of puppetry used for both entertainment and political commentary dating back centuries.

In addition to providing entertainment, puppet shows were often used to express political and social view points, particularly when the literacy rate was low.

Plan to spend at least a few hours enjoying the expansive collection and exhibits at the International Museum of Puppetry.

The museum’s collection includes more than 3,000 puppets of all kinds from around the world.

Marionette soldiers in full armament along with their battle- ready horses are on display in this large gallery.

The attention to detail and historical accuracy of the costumes is impressive.

They have puppets and marionettes from around the world, from the simplest paper puppets to the most elaborate marionettes. You’ll see everything from fairy princesses and dragons to entire armies dressed in armament from throughout the ages, all with remarkable attention to detail.

Even Laurel and Hardy make an appearance here.

You’ll find examples of puppets from the primitive to the extraordinarily elaborate.

Puppets from around the world including Africa, Indonesia and Japan are represented.

There are also a variety of settings and backdrops on view. We found our visit to the marionette museum to be an absolutely enchanting experience. The museum hosts puppet shows, too, of course.

Enjoy these fine examples of Japanese Bunraku puppets.

The museum often hosts puppet shows and has videos of productions on view.

For more information and show times, please visit www.museomarionettepalermo.it The museum is at the end of Via Butera on the Piazzetta Antonio Pasqualina, 5.

Known for its medieval art collection, the Galleria Regionale della Sicilia at Palazza Abatellis is a former palatial residence dating back to the 1490s, which went on to become a convent and then a monastery. It is now a regional gallery and museum.

Built for the Kingdom of Sicily’s Port Master, this fine former residence now houses an impressive collection of Medieval art and other treasures.

Here you will find sculptures, frescoes and paintings by Italian artists, as well as Flemish and other European masters, sacred art, weaponry and more.

Sculpture, paintings, religious art and more await visitors at the Palazzo Abatellis.

Though the building suffered terrible damage during Allied bombing raids in WWII, frescoes such as these from the 1400s survived.

Unfortunately the website has not been updated for some time so it is best to call the museum at +39 091 623 0011. It is located at Via Allora, 4.

To see how the upper class lived centuries ago, visit the Palazzo Mirto www.casemuseoitalia.it/en. The Palazzo Mirto is part of a network of “house museums” found throughout Italy. It was originally built for the Filangeri family in the mid 17^th century and falls into the ancestry category of homes.

The Palazzo Mirto provides a glimpse at the opulence the upper classes enjoyed during the time of the Kingdom of Sicily.

The palazzo is filled with beautifully appointed rooms featuring elaborate furnishings, ceramics, antique musical instruments, and art. One of the most spectacular is the Chinese Room, likely decorated in 1876 when the house was renovated.

The Chinese Room was the height of fashion when it was designed in the mid 1800s.

There are also classic carriages on display along with other historic treasures that paint a picture of Sicilian life for the upper class in the days before the Risorgimento when Sicily was still a kingdom.

Splendid furnishings and elegant porcelain are among the items on display at Palazzo Mirto.

The museum is located at Via Merlo, 2 and telephone is +39 091 616 4751 for updated information.

Enjoy a performance or take a guided tour– these are the only ways to get inside the magnificent Teatro Massimo.

If there is a performance at the Teatro Massimo, get a ticket and go. Regularly scheduled dance, opera, and classical music are all performed here. If you’re feeling flush, you, too, can rent the royal box —you just have to purchase all 27 seats in it.

The Teatro Massimo is known for its excellent acoustics and grand stage.

If time does not permit you to attend a performance, take a guided tour, which is the only other way to see the inside of this magnificent and historic building.

This beautiful and historic theater is among the largest in Europe.

A model of the theater is displayed in the lobby.

The theater boasts one of the largest stages in Europe and is worth seeing. Built in 1897, it is known for its outstanding acoustics and is still the largest theater in Italy with 1,300 seats. It is appropriately located on the Piazza Verdi. +39 091 6053580 www.teatromassimo.it.

The Politeama Garabaldi Theater hosts regular performances in Palermo’s historic city center.

We wanted to visit the highly regarded National Archeological Museum but it was closed for renovations during our visit. Please go to www.regione.sicilia.it/beniculturali/salinas for current information.

A stroll through Sicily’s capital city yields surprises.

We did not visit the Catacombe dei Cappuccine, the home of about 8,000 dead bodies, amassed over the course of several hundred years, all dressed up and on display. We find the entire enterprise rather ghoulish and having seen the Capuccine Chapel in Rome, which features skeletons of dead monks, felt no obligation to see this seemingly far more ambitious enterprise. Apparently it is a popular place on many tourist itineraries and so we mention it here.

Flags fly outside the Porta Felice Hotel on the small but busy Via Butera.

There are lodgings at all price points and with all levels of service, as you would expect in a large city like Palermo. We stayed at Hotel Porta Felice www.hotelportafelice.it/en at Via Butera, 45. Tele. 091 6175678. This is in the old section of town near the port.

Pleasure craft and fishing boats crowd the marina at the end of Via Butera.

Even though the hotel is on what appears to be a small side street, it is pretty busy. We were upgraded to a nice suite, even though we’d booked through www.venere.com. The location was very convenient and we walked everywhere we wanted to go, after turning in our rental car.

Friendly service and excellent Sicilian specialties await diners at L’Ottava Nota.

We only had two nights in Palermo and wound up having dinner both evenings just down the street from our hotel at L’Ottava Nota Ristorante, via Butera 55 091 6168601 www.ristoranteottavanota.it. The restaurant was small and lovely with fantastic food and great service. The fish dishes were all spectacular. Everything was fresh, artfully prepared and delicious.

Perfectly prepared pasta makes a delicious first course.

White fish in a light curry broth was a favorite.

Seafood dishes were the star attraction for us, but L’Ottova Nota has superb meat and vegetable dishes, too.

A fish in a light curry broth with vegetables was so good I still think about it, though it is no longer on the menu. We mentioned we were staying at the Porta Felice and were happily surprised to learn we’d get a 20 percent discount on our meal because we were guests there. We cannot confirm that the special pricing is still available but it never hurts to ask, should you dine here. The restaurant is just a few doors down from Porte Felice on Via Butera, 55. The telephone is +39 091 616 8601.

We had an excellent lunch at Trattoria Piccolo Napoli, www.trattoriapiccolonapoli.it. Piccolo Napoli had been recommended by an Italian friend in the wine business but apparently Anthony Bourdain had once dined here and the owner told us that lots of Americans had been showing up ever since. Our welcome was much more cordial when we told him (in Italian) that his friend Sasha had sent us! Try the panisse (chick pea fritters) to start and have any seafood you like—it is all super fresh and simply, but deliciously, prepared.

Snack on some panisse as you peruse the menu.

Simply but perfectly prepared pastas and seafood dishes shine at Piccolo Napoli.

Through a small window into the kitchen, we watched the chef toss a whole octopus into a pot, plate it and serve it to a young girl who devoured every bit. We had pasta with shellfish and then I had a beautiful swordfish dish. For dessert, they brought us the ubiquitous “winter melon.” The melon is sweet and refreshing and so called winter melon because it can be picked in the summer and stored throughout the winter. We saw it on menus throughout Sicily. The restaurant is on the Piazzetta Mulino a Vento, 4. Telephone is +39 091 320431.

Palermo is a fascinating and vibrant city and certainly worth a visit. We’ll be back.

Our final meal in Palermo was an extremely casual, but excellent pizza lunch at the airport, which we enjoyed out on the observation deck with a view of planes coming and going, and of course, the beautiful sea!

Treasures of Berlin’s Museum Island

Take a stroll through the Brandenburg Gate, down Unter den Linden, to the banks of the River Spree. There you’ll find some of the world’s most intriguing and important cultural treasures—the Ishtar Gate, the bust of Nefertiti and so many extraordinary antiquities, classical sculpture and masterworks, it is impossible to imagine they could all be in one place—but they are—Berlin’s Museum Island.

Museumsinsel http://www.smb.museum is home to five separate historical museum buildings, each designed by a well-regarded architect of the time and now part of a UNESCO world heritage site. Here you will find the Pergamonmuseum, Altes (Old) Museum, Alte Nationalgalerie, the Bode-Museum, and the Neues (New) Museum.

The museums on Berlin’s Museumsinsel are a treasure trove of important paintings, sculpture, and antiquities from around the globe.

According to Visit Berlin, more than 3 million people come each year to view the collections that range from prehistory to 20^th century art. Savvy travelers will want to purchase a Museum Pass, which provides entry to 50 major and lesser-known museums, including the five on Museum Island, over three consecutive days for one low fee. The price was 24 Euro when we visited in November. Passes are available at Berlin Tourist Info points, in the museums, and online at Shop.visitberlin.com.

The magnificent Ishtar Gate, believed to date from 170 AD, was dedicated to Zeus and Athena. It was brought to Berlin from Western Turkey in 1903.

The long lines and crowded galleries attest to the fact that the Pergamon Museum is on nearly every visitor’s short list of places to visit in Germany’s capitol city. It should be. The magnificent Pergamon Altar, Ishtar Gate, and marvelous sculpture and other works from ancient Sumeria, Babylon, Assyria, and modern day Iraq, Turkey and Syria are all on display here. Restoration is underway on the Ishtar Gate, but it remains open for viewing. The Pergamon Altar was closed for restoration during our recent visit and will reopen in 2019. We were fortunate to see it several years ago.

Detail from the Processional Way, which leads to the Ishtar Gate, at the Pergamon.

Stunning Roman mosaics cover the floor in the gallery that contains the Market Gate of Miletus, built in the 2nd century AD in Turkey and excavated and brought to Berlin in the early 1900s.

The stunning Aleppo Room at the Pergamon, seen through protective glass walls.

Facade of the Caliph Palace Mshatta from Amman/Jordan from the 8th century. The 33 meter long, 5 meter high facade was brought to Berlin in 1903 to the Bode Museum. In 1932 it was reconstructed in the Pergamon.

We practically had the galleries to ourselves when we visited the Bode-Museum in November. This beautiful museum boasts art from the Byzantine and Roman Empires, a spectacular sculpture collection spanning from the early Middle Ages to the late 18^th century, and one of the most extensive numismatic collections in the world. We could not understand why the Bode wasn’t full of people enjoying these art treasures.

Pedro Roldan’s Our Lady of Sorrows (Mater Delorosa) at the Bode-Museum.

The Bode-Museum is known for it’s sculpture collection. Friezes, sacred art and other cultural treasures are also on display.

Don’t miss the extensive numismatic collection at the Bode. It’s one of the most comprehensive in the world.

The Bode also has a lovely café where we enjoyed a delicious and very reasonably priced lunch along with views over the Spree. The cafe balcony overlooks the museum’s grand entrance below.

The comfortable cafe at the Bode was perfect for a light lunch.

Save room for dessert!

If Impressionist works are more to your liking, visit the Alte Nationalgalerie, home to 19^th century works by Renoir, Manet, Monet, and Cezanne, Adolph von Menzel and other well regarded artists of that time period. The Alte Nationalgalerie was the third museum to open on Museum Island.

The Alte Nationalgalerie is home to a fine collection of 19th century paintings– part of Berlin’s State Art Collection.

Housed in one of Berlin’s most impressive neoclassical buildings, the Altes Museum was dedicated in 1828 by Friedrich Wilhelm III for “the study all antiquities and the free arts”. The museum’s permanent collection centers on classic antiquities covering Etruscan, Roman and Greek art and includes urns, vases, sarcophagi, friezes, pottery and sculpture.

The Altes Museum is a popular destination for student and tour groups.

The 3300 year-old bust of Nefertiti is among the highlights at the Neues Museum, or New Museum. After sustaining significant damage during World War II, the building, which was designed by Friedrich August Stuler and constructed between 1843 and 1855, was abandoned. In 2003, extensive restoration began and the museum opened in 2009 with three main collections—Egyptian art from the Egyptian Museum and Papyrus Collection, prehistoric objects from the Museum for Prehistory and Early History, and classical antiquities. Visitors will find works from around the globe including the Middle East, North Africa, and Northern Europe at the Neues Museum.

For updated information on each of the museums on Berlin’s Museum Island and details on permanent collections, temporary exhibitions, admission, hours and directions, please visit http://www.smb.museum.

Note: The banner image is the Cathedral of Berlin known also as Berlin Dom, located on Museum Island. In addition to church services, the Berlin Dom is open for tours. Numerous concerts and other events are also held there throughout the year. To the right is the Berlin TV Tower, constructed by the Soviets during the Cold War and now a popular tourist destination.

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